Did anyone steal your motorcycle? Punish him/her using a THIEF ENVOUTEMENT Sculpture

"¹"¹The evident corollary is that we respond to the image as if it was alive, real [...] People are sexually aroused by pictures and sculptures; they break pictures and sculptures; they mutilate them, kiss them, cry before them, and go on journeys to them; they are calmed by them, stirred by them, and incited to revolt. They give thanks by means of them, expect to be elevated by them, and are moved to the highest levels of empathy and fear. They have always responded in these ways; they still do. They do so in societies we call primitive and in modern societies; in East and West, in Africa, America, Asia, and Europe. These are the kinds of response that form the subject of"º"º these pictures (see Portfolio). David Freedberg, "The Power of Images", Chicago: University of Chicago press, 1989, p. 415, 1