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Side view
Soft lighting
Relative size
Visualisation in a room

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Distant Cousin Sculpture

Paul Stein

South Africa

Sculpture, Aluminium

Size: 58 W x 175 H x 40 D cm

Ships in a Crate

SOLD
Originally listed for AED 38,205

747 Views

54

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This sculpture is an abstract representation of an imaginary meeting with a distant relative, who suddenly appears out of nowhere, and is not quite what you expected. Its is made in aluminium and the main body of the sculpture has a emulsion paint textured finish, and this contrasts with high gloss...

Year Created:

2020

Subject:
Method:

Sculpture, Aluminium

Rarity:

One-of-a-kind Artwork

Size:

58 W x 175 H x 40 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Africa.

Need more information?

Need more information?

Paul Stein was born in Johannesburg, South Africa in 1956 , and lives and works out of his studio in Cape Town. He works in the medium of metal and mixed media sculpture, and his works are in collections both in South Africa and abroad. I work primarily within the direct metal approach to sculpture, as opposed to the cast metal method. My raw materials are sheets of steel or aluminium which I shape towards the desired end. I am drawn towards simplicity in form and the idea of stating an idea with minimum fuss. I find inspiration in many things, but my prime area of interest at the moment is using the medium of sculpture to express human intent. I am also interested in the idea of fragmentation, of form, movement and implied movement in sculpture. How do you alter the static nature of sculpture, and make it come alive?

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Featured in the Catalog

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Artist featured by Saatchi Art in a collection

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