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Double Walled Horse Vase Print

Daniel Borup

United States

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8 x 10 in ($20)

8 x 10 in ($20)

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About The Artwork

This beautiful vase is a style unique to Daniel E. Borup Pottery. The vase is made by pulling up not one but two walls. This enables me to carve intricate designs in the outer wall while leaving the inner wall intact. The result is a sculptured vase with many holes yet still functional and able to hold water. This vase in particular features a relief sculpture of a horse and a weaved pattern around the back of the vase. It is glazed with a gloss black on top and the bottom is colored with oxides. This vase is high fired and water tight.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I strive to make my work come to life. I want my figures to look as if they feel emotions and could walk right off their pedestal. I have spent years studying anatomy and sculpture so I can more accurately render the human figure in all of its many gestures and expressions. This work pays off as the Art Collector connects emotionally or spiritually with my work because of the life I have given it. Strength and Movement are strong themes in my artwork. I make use of fabric, hair, and strained muscles to communicate the motion of the sculpture. I portray positive and inspiring messages, which speak to collectors in an honest way at a deep emotional level. My work fits a wide variety of tastes as I combine classical style figure sculpture with abstract elements, thus creating a contemporary yet timeless feel. Every figure starts with study. Whether it is studying a model sitting in front of me, looking at pictures of clothing and hair styles studying an anatomy book, or reading about a specific person’s life and works. Just as every person has imperfections that make them unique and beautiful I prefer to leave beautiful imperfections in my sculptures. I don’t try to hide how my sculptures are made. On the contrary I leave traces of myself, marks from my sculpting tools and my hands. By leaving these marks I am able to give some of my self to the life of the sculpture. I know a sculpture is done when it has a life of it’s own, when I can feel its presence sitting in my studio.

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