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Inspired on the work of franco-belgian and south american cartoon authors, this series tries to bring to sculpture the idea that “one image equals 1000 words”. By choosing the human nature as subject matter, the identification is immediate but still open to a infinite possibilities of interpretation depending on the viewer’s experience. This is brought to focus by the choice of a particular emotion by the minimum of elements possible – eyes, nose and mouth – and therefore the author’s designation of a “minimalistic figuration”.
Inspired on the work of franco-belgian and south american cartoon authors, this series tries to bring to sculpture the idea that “one image equals 1000 words”. By choosing the human nature as subject matter, the identification is immediate but still open to a infinite possibilities of interpretation depending on the viewer’s experience. This is brought to focus by the choice of a particular emotion by the minimum of elements possible – eyes, nose and mouth – and therefore the author’s designation of a “minimalistic figuration”.
Inspired on the work of franco-belgian and south american cartoon authors, this series tries to bring to sculpture the idea that “one image equals 1000 words”. By choosing the human nature as subject matter, the identification is immediate but still open to a infinite possibilities of interpretation depending on the viewer’s experience. This is brought to focus by the choice of a particular emotion by the minimum of elements possible – eyes, nose and mouth – and therefore the author’s designation of a “minimalistic figuration”.
Inspired on the work of franco-belgian and south american cartoon authors, this series tries to bring to sculpture the idea that “one image equals 1000 words”. By choosing the human nature as subject matter, the identification is immediate but still open to a infinite possibilities of interpretation depending on the viewer’s experience. This is brought to focus by the choice of a particular emotion by the minimum of elements possible – eyes, nose and mouth – and therefore the author’s designation of a “minimalistic figuration”.
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Dream fisher Sculpture

Sandra Borges

Portugal

Sculpture, Metal on Steel

Size: 74.4 W x 78 H x 23.6 D in

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$7,400USD

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About The Artwork

Inspired on the work of franco-belgian and south american cartoon authors, this series tries to bring to sculpture the idea that “one image equals 1000 words”. By choosing the human nature as subject matter, the identification is immediate but still open to a infinite possibilities of interpretation depending on the viewer’s experience. This is brought to focus by the choice of a particular emotion by the minimum of elements possible – eyes, nose and mouth – and therefore the author’s designation of a “minimalistic figuration”.

Details & Dimensions

Sculpture:Metal on Steel

Original:One-of-a-kind Artwork

Size:74.4 W x 78 H x 23.6 D in

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Sandra Borges is born in 1979 in Lisbon. The sculptor mostly based her work on human behavior. Sometimes looking through the stereotypes, sometimes through the eyes of a individual, it is always about how one's personality is formed and how one relates to the other and in society. Working only with Portuguese stone (marbles, limestone`s and breccia), she also mix it with other media if the idea demands it. The result is very personal way to make art objects that link the tradition of stone carving to other materials and plastic languages.

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