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Italy
Sculpture, eggs on Other
Size: 31.5 W x 31.5 H x 7.1 D in
Ships in a Crate
Work composed by 88 eggs which are placed one next to the other on a 80x80cm panel to recreate the shape of “the” B oot. It is an homage to Italy's unification which celebrates 150 years on March 17. Symbol of the primordial unity of the being, perfect totality that precedes the birth of the visible universe since the antiquity, the egg is at the same time a phenomenon of fragility. And this is the reason it was chosen to represent today's Italy. Egg alitè? is a ''fragile'' carpet made of eggs on which unity, democracy and equality advance uncertain in Italy. Concepts, in some occasions, reduced to a pure aspect of the deeper meaning . Hollow, drained shells .
Sculpture:eggs on Other
Original:One-of-a-kind Artwork
Size:31.5 W x 31.5 H x 7.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Marco Abbamondi was born in Naples on 7 June 1974. He began his artistic career in 1999 with hyper-realist works on canvas and wood that interpret the architecture of Naples, thus favouring his vocation clearly inspired by the city, its history and its cultural traditions. The aesthetic research transformed and evolved over the years in a ‘physical' relationship with the material, the object, and the elements to forge, manipulate, and mould. An insatiable instinct to "touch" and "feel" with his hands: a "tactile" and "sensitive" relationship with the material, which led him in the years to develop a special sensitivity to the transpiring, the eternal passage. The fragility of existence is now the predominant theme of the work, whether paintings or sculpture-installations, which seek to highlight the action that the world has on things. His inspiration derives from the surrounding environment: biomorphic shapes definitely mark his particular style. There appears to be a liaison between the material (wood, concrete, cork) and "natural" forms that inspire. The creativity is expressed through the manipulation: the fusion of material and concept.
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