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Originally a vintage, Victorian wooden oak print tray;  
   
New work by British Artist Karen Neill BA Fine Art (Hons); Byam Shaw S/A at Central Saint Martins London University of Arts London

It measures Approx 45cm  x 30cm. 

Made of oak.

It can be hung on the wall, fixings attached, or it can be laid flat.

I have focused this collection of found pieces into each compartment of the tray. 

At first it appears quite mysterious;  the looker finds him/herself searching for balance, equilibrium, whether its colour, form, texture or associations - a natural deducing of the human eye. 

I ethically collect objects from nature and I assemble these gems  - here they are placed in various orders of form, inside the compartments of an original vintage Victorian oak, printer's tray which would have been used for the fonts of those times. 

Each compartment contains a placed piece - the crow skulls, enamel painted and embellished, seed pods - dried and painted, shells, sticks, ribbons all assembled and permanently arranged.

Ive painted and embellished each piece intricately applying colour combinations, texture and form. 

It can be hung on the wall portrait or landscape or simply placed on a surface. 

There are prints available too.

For practicalities and keeping dust away easily, I'll include a special feather for dusting the tray, its gentle and effective.
Originally a vintage, Victorian wooden oak print tray;  
   
New work by British Artist Karen Neill BA Fine Art (Hons); Byam Shaw S/A at Central Saint Martins London University of Arts London

It measures Approx 45cm  x 30cm. 

Made of oak.

It can be hung on the wall, fixings attached, or it can be laid flat.

I have focused this collection of found pieces into each compartment of the tray. 

At first it appears quite mysterious;  the looker finds him/herself searching for balance, equilibrium, whether its colour, form, texture or associations - a natural deducing of the human eye. 

I ethically collect objects from nature and I assemble these gems  - here they are placed in various orders of form, inside the compartments of an original vintage Victorian oak, printer's tray which would have been used for the fonts of those times. 

Each compartment contains a placed piece - the crow skulls, enamel painted and embellished, seed pods - dried and painted, shells, sticks, ribbons all assembled and permanently arranged.

Ive painted and embellished each piece intricately applying colour combinations, texture and form. 

It can be hung on the wall portrait or landscape or simply placed on a surface. 

There are prints available too.

For practicalities and keeping dust away easily, I'll include a special feather for dusting the tray, its gentle and effective.
Originally a vintage, Victorian wooden oak print tray;  
   
New work by British Artist Karen Neill BA Fine Art (Hons); Byam Shaw S/A at Central Saint Martins London University of Arts London

It measures Approx 45cm  x 30cm. 

Made of oak.

It can be hung on the wall, fixings attached, or it can be laid flat.

I have focused this collection of found pieces into each compartment of the tray. 

At first it appears quite mysterious;  the looker finds him/herself searching for balance, equilibrium, whether its colour, form, texture or associations - a natural deducing of the human eye. 

I ethically collect objects from nature and I assemble these gems  - here they are placed in various orders of form, inside the compartments of an original vintage Victorian oak, printer's tray which would have been used for the fonts of those times. 

Each compartment contains a placed piece - the crow skulls, enamel painted and embellished, seed pods - dried and painted, shells, sticks, ribbons all assembled and permanently arranged.

Ive painted and embellished each piece intricately applying colour combinations, texture and form. 

It can be hung on the wall portrait or landscape or simply placed on a surface. 

There are prints available too.

For practicalities and keeping dust away easily, I'll include a special feather for dusting the tray, its gentle and effective.
Originally a vintage, Victorian wooden oak print tray;  
   
New work by British Artist Karen Neill BA Fine Art (Hons); Byam Shaw S/A at Central Saint Martins London University of Arts London

It measures Approx 45cm  x 30cm. 

Made of oak.

It can be hung on the wall, fixings attached, or it can be laid flat.

I have focused this collection of found pieces into each compartment of the tray. 

At first it appears quite mysterious;  the looker finds him/herself searching for balance, equilibrium, whether its colour, form, texture or associations - a natural deducing of the human eye. 

I ethically collect objects from nature and I assemble these gems  - here they are placed in various orders of form, inside the compartments of an original vintage Victorian oak, printer's tray which would have been used for the fonts of those times. 

Each compartment contains a placed piece - the crow skulls, enamel painted and embellished, seed pods - dried and painted, shells, sticks, ribbons all assembled and permanently arranged.

Ive painted and embellished each piece intricately applying colour combinations, texture and form. 

It can be hung on the wall portrait or landscape or simply placed on a surface. 

There are prints available too.

For practicalities and keeping dust away easily, I'll include a special feather for dusting the tray, its gentle and effective.
Forage Tray by karen Neill
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VIEW IN MY ROOM

Forage Tray Sculpture

Karen Neill

United Kingdom

Sculpture, Wood on Wood

Size: 12 W x 18 H x 2 D in

Ships in a Box

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SOLD
Originally listed for $2,240
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749 Views
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About The Artwork

Originally a vintage, Victorian wooden oak print tray; New work by British Artist Karen Neill BA Fine Art (Hons); Byam Shaw S/A at Central Saint Martins London University of Arts London It measures Approx 45cm x 30cm. Made of oak. It can be hung on the wall, fixings attached, or it can be laid flat. I have focused this collection of found pieces into each compartment of the tray. At first it appears quite mysterious; the looker finds him/herself searching for balance, equilibrium, whether its colour, form, texture or associations - a natural deducing of the human eye. I ethically collect objects from nature and I assemble these gems - here they are placed in various orders of form, inside the compartments of an original vintage Victorian oak, printer's tray which would have been used for the fonts of those times. Each compartment contains a placed piece - the crow skulls, enamel painted and embellished, seed pods - dried and painted, shells, sticks, ribbons all assembled and permanently arranged. Ive painted and embellished each piece intricately applying colour combinations, texture and form. It can be hung on the wall portrait or landscape or simply placed on a surface. There are prints available too. For practicalities and keeping dust away easily, I'll include a special feather for dusting the tray, its gentle and effective.

Details & Dimensions

Multi-paneled Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:12 W x 18 H x 2 D in

Number of Pieces:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work is varied but all connected by nature. I microphotograph science, often liquid crystal DNA - using microscopes and cameras, I paint mainly in oils, subject matter often nature, gratitude, fantasy and science. I forage ethically from nature - to make sculpture. The movement of matter, has long been a fascination, considering it’s rhythm, influences and the nature of its many transcending journeys, often relating to the Fibonacci and Golden Ratio shaping life in our beautiful world. Frequency is a connected interest. Liquid Crystal is a 21st Century essential ingredient for global communication. Delivering fast delivery of internet, sensors, LCD screens, for hospitals and industry sensors. These are all made from liquid crystal but we rarely get to see it, in its raw state. Most of these images here are time lapsed and often in sequence shots, taken with a polarising lens microscope. They're mainly stills from a 4-minute video, available on Vimeo. As I work, I am consistently shining the light of holistic beliefs of intentions and gratitude, into the darkness, revealing the truth but to spread the net of golden light unifying our human consciousness. I have worked as an ‘Art Therapist’ volunteer for a national organisation in Letchworth Hertfordshire, who work with members of the Homeless society and people with various debilitating, addictions. A very important role for me, designing art sessions particularly encompassing and encouraging self care and awareness of divine energy to small precious groups.. Beginning art therapy classes with a group meditation was groundbreaking in bringing the group of strangers together.

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