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The rooster is the symbol of the third guard of the night - from midnight to dawn. Metal. Completely manual work. Each feather forged, cut with hands-) The sculpture is completely hermetic. So at first a frame made of metal of 2.5 mm was made. Then he grew feathers. On request, I can send a photo of the work process. Painting the burner to the colors of tarnishing (rainbow), then partly flushing (linseed oil), patina Zerta and then completely dipping in a bucket with metal varnish. Therefore, under different lighting gives a different shade. The sun shines, at dusk it is almost black.
The rooster is the symbol of the third guard of the night - from midnight to dawn. Metal. Completely manual work. Each feather forged, cut with hands-) The sculpture is completely hermetic. So at first a frame made of metal of 2.5 mm was made. Then he grew feathers. On request, I can send a photo of the work process. Painting the burner to the colors of tarnishing (rainbow), then partly flushing (linseed oil), patina Zerta and then completely dipping in a bucket with metal varnish. Therefore, under different lighting gives a different shade. The sun shines, at dusk it is almost black.
The rooster is the symbol of the third guard of the night - from midnight to dawn. Metal. Completely manual work. Each feather forged, cut with hands-) The sculpture is completely hermetic. So at first a frame made of metal of 2.5 mm was made. Then he grew feathers. On request, I can send a photo of the work process. Painting the burner to the colors of tarnishing (rainbow), then partly flushing (linseed oil), patina Zerta and then completely dipping in a bucket with metal varnish. Therefore, under different lighting gives a different shade. The sun shines, at dusk it is almost black.
The rooster is the symbol of the third guard of the night - from midnight to dawn. Metal. Completely manual work. Each feather forged, cut with hands-) The sculpture is completely hermetic. So at first a frame made of metal of 2.5 mm was made. Then he grew feathers. On request, I can send a photo of the work process. Painting the burner to the colors of tarnishing (rainbow), then partly flushing (linseed oil), patina Zerta and then completely dipping in a bucket with metal varnish. Therefore, under different lighting gives a different shade. The sun shines, at dusk it is almost black.
The rooster is the symbol of the third guard of the night - from midnight to dawn. Metal. Completely manual work. Each feather forged, cut with hands-) The sculpture is completely hermetic. So at first a frame made of metal of 2.5 mm was made. Then he grew feathers. On request, I can send a photo of the work process. Painting the burner to the colors of tarnishing (rainbow), then partly flushing (linseed oil), patina Zerta and then completely dipping in a bucket with metal varnish. Therefore, under different lighting gives a different shade. The sun shines, at dusk it is almost black.
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Guard of the night Sculpture

Oleg Turkovskiy

Russia

Sculpture, Metal on Steel

Size: 26 W x 24 H x 10 D in

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Originally listed for $4,040
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About The Artwork

The rooster is the symbol of the third guard of the night - from midnight to dawn. Metal. Completely manual work. Each feather forged, cut with hands-) The sculpture is completely hermetic. So at first a frame made of metal of 2.5 mm was made. Then he grew feathers. On request, I can send a photo of the work process. Painting the burner to the colors of tarnishing (rainbow), then partly flushing (linseed oil), patina Zerta and then completely dipping in a bucket with metal varnish. Therefore, under different lighting gives a different shade. The sun shines, at dusk it is almost black.

Details & Dimensions

Sculpture:Metal on Steel

Original:One-of-a-kind Artwork

Size:26 W x 24 H x 10 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work develops all the time, but focuses on what attracts me. Whether it's realistic views of the world around us or fabulous, mystical characters. The process of working with steel is not planned, but rather intuitive; the result comes from imagination, shape, structure, and colouring. I don't follow templates, but if necessary, I use all the metal working techniques I know. To get from an inanimate piece of iron by fire and hammer, forge, close to the natural plasticity and beauty of harmonious products. I do not copy the nature, but I try to focus on what is fused in the soul, what I want to share. My work is a journey, my goal is to inspire, to cause a reaction for which sometimes no explanation is needed.

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