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Interference Pattern Rounded 002 Sculpture

Michael Mittelman

United States

Sculpture, 3D Sculpting on Wood

Size: 45 W x 19 H x 3 D in

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About The Artwork

Michael Mittelman has been working at the intersection of the analog and the digital worlds for over twenty years. He has employed Virtual Reality, Internet art, interactive installation art, Augmented Reality, and various rapid prototyping technologies. His wood sculptures are the culmination of these investigations. The digital is represented by the computer controlled router which cuts the paths. The analog is represented by the natural grain and patterns in the wood being cut. As in his past work, each piece begins as a concept sketched on the computer, which allows him to rapidly visualize and iterate the design. The cutter moves through the wood controlled by a computer. The grooves are entirely predetermined by the digital plans. The location of the knots, the pattern of the wood grain, and worm paths in the wood, however, are all left to chance. Future attempts at cutting the same piece will always result in a significantly different outcome.

Details & Dimensions

Sculpture:3D Sculpting on Wood

Original:One-of-a-kind Artwork

Size:45 W x 19 H x 3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Michael Mittelman has a background in both architecture and fine arts, completing studio art degrees at Wesleyan University (BA) and Massachusetts College of Art (MFA), including a year-long architecture intensive with the Columbia University New York/Paris program. For over twenty years, he has been working at the intersection of art and technology. In the mid 1990’s, Michael was creating virtual reality sculptures and then realizing them in welded steel. At the turn of the millennium, he was creating interactive installations which explored the psychology of domestic environments. Since 2013, Michael has been using digital fabrication to create sculptures which express the new possibilities of these methods of creation while simultaneously retain the analog properties of their materials. Core to Michael’s process is rapid iteration through early stages of exploration by using software and then settling into a refinement process that includes full physical realization of the concept. His sculptures, installations, and digital art have been shown nationally, including at the List Center for Visual Arts and the deCordova Museum and his work is in the Spalter Digital Art Collection.

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