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Installation view (with "Intersecting Forms II")
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Intersecting Forms III Sculpture

Philip Cope

United Kingdom

Sculpture, Wood on Wood

Size: 2.5 W x 8 H x 2.5 D in

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$490USD

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83 Views
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About The Artwork

This sculpture is one in a series of interconnected, interlinking forms. The forms, whilst abstract, can be interpreted as actors in some form of relationship. In this example the forms interlock but actually do not touch each other. This piece is one example of my tendency to use odd scraps of wood that would otherwise be discarded. The grain in this piece runs in an “unhelpful” direction (side to side, rather than up and down) which makes the work an example of delicate and experienced carving with a good understanding of how wood can tear or fracture when carving. This carving is finished with a combination of finely sanded portions (the top carved section) and the gouge marks (small facets) on the base. The wood is treated with a beeswax/turpentine finish for protection, giving the carving a subtle sheen.

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:2.5 W x 8 H x 2.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Phil Cope is a sculptor living and working in Cambridge, UK. He produces sculptural pieces that are predominantly abstract, however they often take inspiration from the human form and life drawing forms an important part of his process. He takes a modernist approach to design and Henry Moore and Barbara Hepworth are significant influences on his work. He works on a small scale, producing pieces that are intended for domestic spaces. In May 2022, Phil was accepted as a member of ArtCan In April 2022, Phil was accepted as a member of Cambridge Drawing Society In November 2021, Phil’s piece 2020/11 was awarded the regional prize for East Anglia at the ING Discerning Eye exhibition, at the Mall Galleries in Central London. I aim to create attractive abstract forms that are recognisably handmade objects that reflect their origin and the processes used to make them. In the use of wood as my primary material and in my treatment of it, I hope to produce objects that illuminate the balance that exists between the human and natural worlds; a balance that I believe is becoming increasingly precarious. In doing so I hope to reflect on civilisations continuing dependence on, and debt to, the natural world.

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