VIEW IN MY ROOM
France
Sculpture, Ceramic on Ceramic
Size: 11 W x 11 H x 11 D in
Ships in a Box
My work around the Kaliss is inspired by the religious object first of all. I divert it, tear it, and each detail of this sculpture lets glimpse a nature, sometimes subtle and soft, often sensual, which diverts the object from its initial use. Each Kaliss is fully wheel throwned, then sculpted. Each flower or detail is of course handmade. The blue fusion glaze is unique. I create it from natural rocks and its soft white and blue color is reminiscent of the cloudy blue sky, in the south of France. Resolutely baroque, this sculpture perhaps expresses the freedom with which one can allow oneself to divert universal and symbolic objects.
Multi-paneled Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:11 W x 11 H x 11 D in
Number of Pieces:3
Frame:Not applicable
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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I was born in Paris in an Ashkenazi family with russian and polish roots. Graciously, rather than the torments of the Slavic soul, my parents passed on to me their life-saving energy and their faith in the world’s beauty. I quickly turned to literature studies as well as piano, basked in gracious poetry from Nerval, Prévert, Debussy and Satie. Years go by, children are born, and a career into human resources intertwines with my piano instructor activities. At the end of the 1990s, I settle with my family in the Luberon (France), immersing myself, after Paris’s mineral and monumental beauty, into the vibrant one of a mutli-ochre land. It’s during a meet at the “manufacture de Baccarat” that I discover, to my surprise, the art of fire. I was thunder struck and dazzled by the hypnotic spectacle of workers rafting their pieces. An unfortunate accident deprives me of my piano. Ceramic is now how I get to express myself, and the earth – that of my land of adoption- a medium to my poetic pursuits. After an apprenticeship carried out alongside my professional activities, I now focus entirely on my craft, Ceramic. Days go by in my workshop, from wheel to furnace, clays to glazes, sheltered on my hilltop. My labouring of clay is driven by the search of emotions born from shapes and colours, just as they used to transpire in the notes of “Clair de Lune”.
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