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VIEW IN MY ROOM
BEAUTIFUL ORPHANS After many years of artistic creation, my head has become an orphanage, inhabited by abandoned shapes, ideas and projects – discarded, not for lack of aesthetic or spiritual value, but for being on the wrong place at the wrong time and, for that reason, not compatible with the artistic project of that particular moment. Instead of quietly going away, as I told them, these beautiful orphans continue to loudly proclaim their birthright of realisation, to squat my studio and to clutter up my computer and my brain. So, under duress, I decided to accord them the life on canvas, paper or wood they so obstinately claim and thus let them shape their own reality and their own legend. The KRYPTA series Relief and assemblage work, half-painting half-sculpture - geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that depicts neither the reality nor the abstraction of our conscious perception of being, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence.
Sculpture:Paint on Wood
Size:28.3 W x 29.5 H x 2.4 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in Switzerland.
Juliet Vles is an European multidisciplinary artist, born in 1950 in the Netherlands, of Swiss-French nationality and actually living and working in Switzerland. Essentially an abstract painter and sculptor, whose work is mainly to be found in arte povera and minimal art collections, her artistic interests also include installation work, drawing and digital painting. The works of the Krypta series, half-painting half-sculpture, are geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that does not seek to depict reality, nor even its abstraction, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence. Formally, the hallmark of Vles’ artwork is the unusual combination of its sober, geometrical underlying structure and the multilayered, rough texture of the painted surface. Although often shown in exhibitions featuring Concret Art, her work owes more to the Support/Surface movement than to formal Constructivism. In her recent work, the artist increasingly abandons the notion of "making images" and rather sees her wall sculptures as an extension of architecture - expanding the supporting wall by an additional physical and esthetical dimension. In 2017, the artist started working on a series of reverse glass paintings, revisiting the glass sculptures and installations she created between 1997 and 2003 and drawing on the technical experience she acquired during that period. For the GLASSWORKS please see https://goo.gl/photos/t2kdxM7C4ZjQBy8eA
Artist featured by Saatchi Art in a collection
Featured in Saatchi Art's curated series, Inside The Studio
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