VIEW IN MY ROOM
United States
Sculpture, Lights on Other
Size: 11 W x 10 H x 4 D in
Ships in a Box
Title: Guardian of The Reef Medium: Polymer, Plexiglass, ink, LED Light Year: 2020 Location: Florida, USA This original sculpture was made from clear plexiglass and recyclable polymer painted with alcohol ink. This is a lighted sculpture, and it comes with an electrical cord and an LED light bulb. It can also be used as a small night lamp or an accent lamp. The process to make these sculptures is very long and detailed where everything is heated, painted, heated again and then formed into the abstract shapes. Everything is done by hand. There are no molds or ready patterns used The whole sculpture is made in a free form style. The sculpture resembles glass, crystal, and wax however, it does not shatter or break as easily as glass. I really enjoy making these little and big treasures where my inspiration and use of color always leads me into unknown dimensions. I rarely plan my sculptures; most of the time, they are spontaneous acts of creativity. Most of my inspiration comes from living near the ocean, coral reefs and the beautiful colors of Florida's nature This sculpture comes with an electrical cord, candelabra style E12 base, and LED light bulb. The certificate of authenticity is included with the sculpture. The pictures shown here were taken during night and day. Please note for European customers, this sculpture will be shipped with a universal travel power adapter.
Sculpture:Lights on Other
Original:One-of-a-kind Artwork
Size:11 W x 10 H x 4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Welcome to my gallery! My artworks begin with a desire to try something new and are driven by passionate, fervorous feelings inspired by nature, current events, and animals. I do not believe in starting at the end, and so I oppose starting a painting with the end-image in mind. Instead, I treat each layer as an adventure. As the experiment unfolds on the canvas, I am provided with a starting frequency which I can then embellish with more general overtones as well as more detailed oscillations to connect my thoughts into the artwork and channel my own energy. In this way, Nature and I create the artwork hand in hand. Nature does not have a color palette; rather, the universe is filled with infinitely more colors than we can see with the naked eye. I, therefore, utilize an enormous range of hues, temperatures, and sheens, from vivid to dark, glossy to matte, and warm to cool, all within the same artwork. I also do not tolerate "flat" art. I heavily use various mediums or even make my own to impart a wide range of textures into my artworks, making them "pop" out from the canvas with ridges, crevices, hills, and walls. I also use glazes and resin to embed glass beads, Mica powders, custom-made acrylic polymers, and natural wonders such as seashells. In addition to painting, I also create lighted sculptures with ocean and nature themes using hand-melted customized plexiglass, alcohol inks, and glass beads. My sculptures complement my vivid paintings and allow me to explore the theme of tropical nature in an extra dimension. While I have a very open mind and am willing to try anything that is new, I do have my favorite techniques, colors, and ideas. I particularly love fluid art techniques and applying pencil-thin lines of paint with a very fine tip applicator for extreme detail. I also love vivid vitrails, metallic/iridescent pigments, and bright fluorescents, since they channel my inner joy and excitement for life. My favorite topics to explore through art include the tropical paradise of the Amazon rainforest and dissociative states of mind. I live in Florida where I am surrounded by pristine nature, bright skies, and endless sunshine, providing me with even more inspiration to create art. Art is made to last an entirety. I, therefore, make my canvases with kiln-dried pine wood which is exceptionally sturdy and resists warping. I stretch high-quality heavy cotton and use a three-step priming system to achieve a naturally tight and even stretch.
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