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Love's Last Look (Eurydice) Print

Jo and Jan Moore Romancing The Stone

United States

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12 x 16 in ($95)

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About The Artwork

Love's Last Look (Eurydice) Black Marble Stone Sculpture. The work is a metaphor for the awakening of passion, love, and life – as well as its tragic consequences. Eurydice in Greek mythology, was an oak nymph or one of the daughters of Apollo (the god of light). She was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful songs as his bride danced through the meadow. One day, a satyr saw and pursued Eurydice, who stepped on a venomous snake, dying instantly. Distraught, Orpheus played and sang so mournfully that all the nymphs and gods wept and told him to travel to the Underworld and retrieve her, which he gladly did. After his music softened the hearts of Hades and Persephone, his singing so sweet that even the Erinyes wept, he was allowed to take her back to the world of the living. In another version, Orpheus played his lyre to put Cerberus, the guardian of Hades, to sleep, after which Eurydice was allowed to return with Orpheus to the world of the living. Either way, the condition was attached that he must walk in front of her and not look back until both had reached the upper world. However, soon he began to doubt that she was there and that Hades had deceived him. Just as they reached the portals of Hades and daylight, he turned around to gaze on her face, and Eurydice vanished back into the Underworld. When Orpheus was later killed by the Maenads on Dionysus' orders, his soul ended up in the Underworld where he was reunited with Eurydice.

Details & Dimensions

Print:Giclee on Canvas

Size:12 W x 16 H x 1.25 D in

Size with Frame:13.75 W x 17.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

New Mexico natives, Jo and Jan Moore,are among those rare lifetime studio artists able to cross boundary lines, working in multi-dimensional disciplines. Their compelling sculpture draws on inspiration from nature, displaying uniquely rich surfaces, exploring the inherent tension of the elemental forces contained within the stone. Listening to the spirit of the stone, the song of the stone, Jan and Jo typically allow the stone to suggest its sculptural form, often “daring” it to an extreme, if it will allow. For more than forty years, Jan and Jo have explored artistic themes in Stone, Bronze and Oil on Canvas. Sought after both nationally and internationally, their work graces such collections as that of Spain’s The Duke of Albuquerque; multiple public installations within the collection of the Albuquerque Bio Park, including the Bronze Entry Gateway, “Deserts that Bloom in Fragrance and Flower” depicting more than 1000 cast Bronze Botanic elements. A lifetime of works round out numerous Public Installations, among them The University of New Mexico, with multiple two and three dimensional installations, and The College of Santa Fe Outdoor Sculpture Collection. ---“We share a deep bond with Mother Nature and have been interpreting her landscapes and culture through sculpture and painting for more than 40 years. There exists no separation between the creative process and daily life. For us, they are one. Our work is our solace, our meditation, our serenity. When we are working, with a clear mind, we are still. We are the vessel quietly relaying a stoic energy, lightly, effortlessly. It is a visual language, employing a visual vocabulary.Our gestures remain constant with our perceptions. We believe you must not only see a painting, a sculpture, you must feel it as well. Even when working on a canvas, first we sculpt the image…then paint it. Life-long studio artists, our recent concentration is on three-dimensional (textured) canvases with a brilliant color palette that creates an emotional response for the viewer. With contemporary and abstracted themes at the foundation, we use countless layers of texture and impasto with potent hues to create a sculpted surface exuding raw energy. The canvases are in effect relief sculptures, adding depth, casting shadows over the sculpted surfaces within the composition. All works are gallery wrapped or museum profile with painted edges, sealed, acid-free, and archival.

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