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From the technical point of view, I work from
years ago with woods that covered with elastic fabrics. From my origin in painting through the design of furniture and objects, photography etc, incorporate this technique to cover it, deriving me to multiple processes of evolution, triggering in the sculpture that covered with socks, pantyhose, small format. Currently I work with lycra fabrics, neoprene, in larger and flatter format.

I always find it difficult to speak about my work from the formal point of view, because I think it arises as a result of my unconscious, working in a formal and aesthetic search, small and modest personal universe that I yearn to capture.
The forms I represent are not only represented by themselves and not as a totality of the finite work but as a formal process, not completed, open. No work should be closed, finished, it is a further step in the overall process of the work.
I could be included in minimalism, even if it seems to me a dogmatic current, which completely excludes what happens outside the way it is represented. Formally I identify myself, but the forms I represent do not originate in a purely formal way.
The white colors, light colors, that I use now, lead me to provoke reaction with this world full of provocations, take me to a world more pure, clean, without tension .., soft, oval, undefined lines creating depths, submerging in fields not very specific, imaginary...Sometime the people said that I painting with textiles..
From the technical point of view, I work from
years ago with woods that covered with elastic fabrics. From my origin in painting through the design of furniture and objects, photography etc, incorporate this technique to cover it, deriving me to multiple processes of evolution, triggering in the sculpture that covered with socks, pantyhose, small format. Currently I work with lycra fabrics, neoprene, in larger and flatter format.

I always find it difficult to speak about my work from the formal point of view, because I think it arises as a result of my unconscious, working in a formal and aesthetic search, small and modest personal universe that I yearn to capture.
The forms I represent are not only represented by themselves and not as a totality of the finite work but as a formal process, not completed, open. No work should be closed, finished, it is a further step in the overall process of the work.
I could be included in minimalism, even if it seems to me a dogmatic current, which completely excludes what happens outside the way it is represented. Formally I identify myself, but the forms I represent do not originate in a purely formal way.
The white colors, light colors, that I use now, lead me to provoke reaction with this world full of provocations, take me to a world more pure, clean, without tension .., soft, oval, undefined lines creating depths, submerging in fields not very specific, imaginary...Sometime the people said that I painting with textiles..
From the technical point of view, I work from
years ago with woods that covered with elastic fabrics. From my origin in painting through the design of furniture and objects, photography etc, incorporate this technique to cover it, deriving me to multiple processes of evolution, triggering in the sculpture that covered with socks, pantyhose, small format. Currently I work with lycra fabrics, neoprene, in larger and flatter format.

I always find it difficult to speak about my work from the formal point of view, because I think it arises as a result of my unconscious, working in a formal and aesthetic search, small and modest personal universe that I yearn to capture.
The forms I represent are not only represented by themselves and not as a totality of the finite work but as a formal process, not completed, open. No work should be closed, finished, it is a further step in the overall process of the work.
I could be included in minimalism, even if it seems to me a dogmatic current, which completely excludes what happens outside the way it is represented. Formally I identify myself, but the forms I represent do not originate in a purely formal way.
The white colors, light colors, that I use now, lead me to provoke reaction with this world full of provocations, take me to a world more pure, clean, without tension .., soft, oval, undefined lines creating depths, submerging in fields not very specific, imaginary...Sometime the people said that I painting with textiles..

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MES5 Sculpture

Susana Martin Villarrubia

Spain

Sculpture, Wood

Size: 180 W x 110 H x 3 D cm

Ships in a Crate

€3,506

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364 Views

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From the technical point of view, I work from years ago with woods that covered with elastic fabrics. From my origin in painting through the design of furniture and objects, photography etc, incorporate this technique to cover it, deriving me to multiple processes of evolution, triggering in the scu...

Year Created:

2017

Subject:
Method:

Sculpture, Wood

Rarity:

One-of-a-kind Artwork

Size:

180 W x 110 H x 3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Since the 80s done work in the field of design objects, furniture, textiles, graphic design, photo-design, digital art, photography, and interior design. Jobs and exhibitions in USA, Italy, Germany, Brazil and Spain. Various awards and exhibitions. Variety of publications in prestigious journals and art design.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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