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United Kingdom
Sculpture, Ceramic on Ceramic
Size: 9 W x 12.6 H x 9 D in
Ships in a Crate
Marks of Remembrance #1 is a hand-coiled vase that concludes Ché Finch's earlier 'Orphan' art work.Orphan explores Ché Finch's experience whilst staying at an orphanage aged four with her brother who had been quarantined due to infectious illness. It recounts abandonment, isolation and hope whilst waiting at the gate for a loved one to visit, alongside symbolism referrencing the death of a young black boy in apartheid South Africa and an unresolved sense of loss for his life and humanity. Marks of Remembrance #1 is essentially an act of acceptance for loss, as well as, a process of honouring those that are lost.
Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:9 W x 12.6 H x 9 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Ché Finch is a British South African sculptor specialising in ceramics and conceptual art. Characterised for her raw and abstracted style. “My work is often emotional, depicting states of mind which are of the moment, as much as concepts. There are meditative qualities during the initial making process of the hand-coiled vases, where, scraping ‘clay off clay’ to sculpt the final shape produces a range of sounds that lend themselves to a gradual exploration of memories and new visuals. I am interested in visual disturbance, in placing a line or mark where it elicits a visceral response, in how this resonates with the viewer and in what possible new visual signatures arise from this process. I’m especially interested in creating conditions that lead to new visuals and in environments which cultivate intense focus and the facilitation of 'deep work', with an interest in neuroplasticity. Much of my earlier processes were based around reducing visual noise in order to focus on key elements (which resulted in more abstract work), this was in part influenced by earlier experiences working with African Rhythm Tree as a tutor, which uses core structures to facilitate innovation”. Ché Finch also has a history in co-founding Arts Organisations, organising and curating exhibitions in the North West.
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