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Medusa Sculpture

Carlo Spoldi

Italy

Sculpture, Glass on Glass

Size: 19.7 W x 19.7 H x 0.1 D in

Ships in a Box

SOLD
Originally listed for $3,120

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

What we throw away, the sea in 30 years, gives them back to us as colored and precious gems. Things that have no beginning or end, but are continually transformed by changing form and function. Glasses collected on the shoreline of different seas and oceans. Memories, of an Empty Time, of a "Vacatio...

Year Created:

2021

Subject:
Styles:
Medium:

Sculpture, Glass on Glass

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 19.7 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I started drawing at five years old, in college. There were great images of Christs, Madonnas and saints hung on the walls, and I did them well enough for a child and I never stopped: in the middle school, in the artistic high school, in the Brera nude evening school. My first personal exhibition was in the "Nuovo Spazio Metropolitano" in Milan, and since 1985 I have participated in some collective shows at Brown Boveri, in the studio of the sculptor Elisa Chierici: "bad sculpture in christmas time" and in the study of C. Levi with E. Chierici, A. Martegani, S. Arienti, M. Mazzucconi and others. In those years in advertising there was a need of people who could draw well: layout, storyboard and large hyper-realistic illustrations and I was hired in Saatchi & Satchi as Art Director were I worked for ten years. In Saatchi & Saatchi, in addition to campaigns for national and international customers, I did also campaigns on topics such as racism, AIDS… On the occasion of the realization one of those campaigns I involved the photographer O. Toscani who was thinking of a different way of doing communication, something that was not simply advertising a product, but conveying content. So we decided to open an agency based solely on creativity. We called it first “The Cat and the Fox” then 2x3. No meeting, no brain storming, target or marketing, just ideas. At the same time, since 2004, I resumed the exhibition activity with a series of large print of computer hand made works "Pixel by pixel" displayed in a personal exhibition at the A&M Bookstore and some group shows: "Ap-punto" and "No Parachute" in the Art & Gallery of M. Gandini and "These ghosts" at the 1000 Eventi gallery. Meanwhile, O. Toscani asked me to help him with a new sports brand of Benetton, for which I carried out the communication campaign "Do You Play Life?" presented to the press in New York and became the new brand: "PLAYLIFE". Later I assumed the role of director of the communication department of Fabrica, where, besides the social campaigns for Greenpeace and for the french television Artè, I also had the opportunity to shoot a film in Japan for Japan Tobaco whose theme was summarized in one sentence: "Tomorrow I stop Smoking". In Fabrica I curate the "Fear" exhibition for the Pecci museum in Prato, and direct a movie about the theater company "La Fortezza" in the prison of Volterra.

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