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No Pressure Then Sculpture
United Kingdom
Sculpture, Fabric on Soft (Yarn, Cotton, Fabric)
Size: 18.9 W x 25.6 H x 18.1 D in
Ships in a Box
About The Artwork
'No Pressure Then' is a social commentary on the pressures of young women today. The sculpture was created over 5 years in cross-stitch and paint, through a marriage, pregnancies and two baby and toddlerhoods. With more choice than ever before it can feel overwhelming with the media showing these superwomen who appear to juggle it all. The sculpture merges the Disney Princess with, women from the Radio 4 'Power List' and images depicting the various choices a woman can make or have made for her, marriage, children etc etc. The painted text brings it all to a frustrated, messy conclusion.
Details & Dimensions
Sculpture:Fabric on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:18.9 W x 25.6 H x 18.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Sarah Gwyer was born in Gloucestershire in 1985 and now lives and works in the Cotswolds. She describes her practice as ‘Contemporary Pop’, drawing together influences from pop artists Andy Warhol and James Rosenquist through to contemporary artists Jeff Koons and Damien Hirst. After studying Fine Art in Cardiff, Gwyer headed straight to London to study a Masters in Printmaking at the University of the Arts, London. By the time of her graduate show she was exhibiting simultaneously in London and New York. Working across textiles, sculpture and print Gwyer's work reflects on the themes of celebrity, consumerism and commercialism, using well known faces and pop imagery. She loves to merge the boundaries between art and craft practices, pushing traditional ways of working to new levels and audiences.
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