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United Kingdom
Sculpture, Bronze on Bronze
Size: 11 W x 26.8 H x 7.9 D in
Ships in a Crate
O Desmatamento was the first work completed on a residency in the Bronze Foundry Fonderia Mariani in Italy in 2010. It investigates the relationship between man and the environment particularly through the lens of deforestation. It was also the start of a series of works inspired the biological process of enzymes, the figures represent molecules interacting with the surface of an enzyme. In this way a parallele is drawn between the micro world of proteins and the macro world of human society. The sculpture is cast in bronze as part of an edition of 8. The one available currently was the original cast from the lost wax and bamboo original.
Sculpture:Bronze on Bronze
Original:One-of-a-kind Artwork
Size:11 W x 26.8 H x 7.9 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Briony Marshall is a UK based sculptor and installation artist. With a background in Biochemistry she is interested in the idea of art practice as research. She fuses an intellectual/conceptual approach with an intuitive, materials inspired process to develop sculptures that investigate the natural world and man’s place in it. In 2012 she completed the Pangolin London Sculpture Residency which culminated in a solo show at Pangolin London in May 2013. She awarded a bursary by the Royal Society of Sculptors in 2008 and later went on to be elected as a sculptor member of its board of trustees. She is head of Professional Development at The Art Academy and was recently named as one of the ‘175 Face of Chemistry’ to celebrate the 175th anniversary of the Royal Society of Chemistry. In 2015 she was shortlisted as one of the five finalist for the First@108 Public Art Award, and has recently completed a B.E.A.F. and Arts Council funded commission for a large rammed earth public artwork on Hengitsbury Head in Bournemouth. She is currently working on an exciting large scale commission for a School Science Building.
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