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Petite Amie Print

Velta Emilija Platupe

Latvia

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About The Artwork

Petite Amie is a character in my collection of papier-maché marionettes based on Hector Malot's classical book « Sans Famille ». It is one of my favorites since childhood. Recently my volunteering in Children's Hospital in Riga led me to think that dis-functional families hadn't changed so much since 19th century's France. My heart hurt, images of unhappy children hunted me till I started to make this collection. Petite Amie is Harpist's first love and childhood friend. After a serious illness she has become mute and communicates in the language of the eyes since then. I added some self-portrait features to her character – she is in the worst state of artistic extinction : pale, bloodless, the last drop of blood drips down her nose. Marionettes are in-between an object of art and a magical rite. I use abstract face and hair colors to get closer to my characters soul and to create a realistic personage by detaching it from self-evident reality. Petite Amie measures 87x38x20 cm without strings and control. She is designed and hand-made entirely by me. Her body, arms and legs are soft, made from decorative fabric and lace (the lace comes from a gown of an unknown bride). Her body is stuffed with different weight materials (sintepon, scraps of fabric, stones) to maintain a natural balance of movements. Her body is jointed in head, shoulders, elbows,wrists, upper torso, hips and knees. Joints in knees are partially flexible, because her soft upper leg is jointed directly to the shank. Each joint is hand-sewn together and carefully fixed with buttons. Petite Amie is made in different shades of pale lilac, with few touches of color : a red crystal blood drop and a yellowish silk crinoline with flower motifs. Her impressive hairstyle is influenced by aristocratic ladies from Middle-ages. Her pigtails are made from pink crocheted yarn, decorated with pompons of white feather. His face, hands and bare feet are made from papier-maché. At first they are sculpted as a clay model, then multiple layers of papier-maché are applied to create a harmonious mixture of perfect form and color. For me, hands and feet are as characteristic as the face to reveal puppet's personality. Petite Amie's slightly limited movements in knees helps to reveal her childish insecurity and physical disability. For her hand gestures, I copied some incredible movements of my daughters little fingers. Her eyes are hand-embroidered from pale lilac and grey beads, they contribute to reveal the state of her fleeting soul. Her beautiful eyelashes are made of crocheted lace. I wanted to create a feeling of fragility and a desire to be a lady at the same time, so her figure has a childish plumpness and an innate grace.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My love for printed words is so strong that I make paintings and sculptures from orphaned books. I add different sorts of paper, textile fiber and found objects and treat this mixture as if it was a marble mine. I regard all human-made commodities as the raw material of the 21st century, they add opulence, playfulness and weirdness to my objects. My sculptures are hybrids - installations, huge marionettes and idol figures. I overcome gravity using a technique from marionette theater. Sculptures float in air and strings make them alive. I paint because I'm volatile. I catch all my demons and fears with a brush, so they are not threatening anymore. I'm hesitant, that's why I paint portraits in real time. Models don't have to speak. Sometimes I lay paintings in a horizontal plane, like huge rolls of parchment. The public can touch it, walk and crawl on it, contemplating the importance of daily grounding. I'm a mystic. I borrow deities and create semisacred, eerie spaces where sculptures, paintings, words and animation merge in a numinous, baroque amalgam. I love the tactile. My objects are sensuous to touch. I love word constellations, so there are collections of short stories to accompany the visual work. In a courageous mood, I transform stories into puppet performances and collaborate with theaters and musicians.

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