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Rusty Stallion Print

Richard Arfsten

United States

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8 x 12 in ($40)

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About The Artwork

Rusty Stallion is a piece I made more than 30 years ago. It is a landmark in our community and has been displayed in many places to attract attention. The bottom framework is intended to be covered with grass to make it look like the horse is climbing a hill. The really nice part about working with steel is you can keep changing it until you are happy with the design. I think I must have cut this horse apart 5 or 6 times and remade it into a more powerful design each time. The shinny parts are car bumpers and the rusty steel was from a large fuel oil storage tank. It now has a nice even rust patina. As I work the “Bird” talks to me and we discuss options and develop a story for the piece to illustrate. Of course I do research like go look at the neighbors horses, check out books at the library etc. Then I start to build a skeleton. That is the hard part because it has to start at the ground so it will support itself. It is going to be very heavy so I have to work with small enough pieces so I can lift with one hand and weld with the other. If you were going to draw a horse you would not start by drawing the bottom of his feet. This makes it very hard to get the right proportions. At any rate it is a slow process which entails a lot of put and take. I am not smart enough to have a master plan. I just muddle through. At first it was a standing horse four feet on the ground, rather boring I thought. What if I cut this and bend that and add a little here and there. That is basically how I work. I call it the “What If” method. In my conversations with the bird we settled on a story about two stallions. A young one and a old one that were on a walk about traveling on the ridge of the hills so they could look down on both sides. They spotted a whole bunch of mares. Very interesting they both thought. The young stallion says to the older one “Let’s run down the hill and get to know a couple of the mares? The old one says “Lets walk down the hill and get to know them all”. If you like this piece you might like some other pieces of mine. Enter "Arfsten sculpture" in the search box in the upper right of this page. It will bring up hundreds of pieces of different styles and themes.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.

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