view additional image 1
Terracotta, fired on 900 degree C, 25x16x9cm (9.84x6.3x3.54in), signed on the concave side.

The piece was made for my cycle entitled SpaceFormJERUSALEM, which was inspired by the impressions collected during my ten-month long sojourn in the fascinating city of Jerusalem. The exhibition catalogue discribes its major sentiment:

SpaceFormJerusalem

The recent body of work created by Djordje Aralica explores the artist’s relationship to his temporary home in SpaceFormJerusalem. It was here that our paths crossed in early 2007, and it has been both an honor and pleasure to become his friend. While the sculpture of this series inconsistently architectonic, evoking both pre-modern and contemporary architectural forms, Djordje has chosen to render the pieces in terra cotta, a medium which has a long history dating back to antiquity. The juxtaposition of elements of the past and present in his work is a metaphor for the seemingly inherent contradictions found around every corner of Jerusalem. In this way his work evokes the modern city with its long and rich past, which struggles to accommodate all of the trappings of modernity. One of the most visible examples exists in the contemporary architecture and public monuments of Jerusalem which appear often to be in conflict with the surrounding environment. Several of his pieces are displayed to represent a similar disjuncture. In all of his sculptures—whether those that are strictly geometric or those that are more organic—he experiments with the interplay of light and shadow, solids and voids, as well as texture to create pieces which convey a sense of quiet monumentality. Moreover, his work emphasizes simple lines and basic forms: for it is in the absence of excessive detail and ornamentation that the viewer is able to grasp the mediation of past and present which is embodied by Djordje Aralica’s work.

Karen Britt, PhD, Art Historian
Terracotta, fired on 900 degree C, 25x16x9cm (9.84x6.3x3.54in), signed on the concave side.

The piece was made for my cycle entitled SpaceFormJERUSALEM, which was inspired by the impressions collected during my ten-month long sojourn in the fascinating city of Jerusalem. The exhibition catalogue discribes its major sentiment:

SpaceFormJerusalem

The recent body of work created by Djordje Aralica explores the artist’s relationship to his temporary home in SpaceFormJerusalem. It was here that our paths crossed in early 2007, and it has been both an honor and pleasure to become his friend. While the sculpture of this series inconsistently architectonic, evoking both pre-modern and contemporary architectural forms, Djordje has chosen to render the pieces in terra cotta, a medium which has a long history dating back to antiquity. The juxtaposition of elements of the past and present in his work is a metaphor for the seemingly inherent contradictions found around every corner of Jerusalem. In this way his work evokes the modern city with its long and rich past, which struggles to accommodate all of the trappings of modernity. One of the most visible examples exists in the contemporary architecture and public monuments of Jerusalem which appear often to be in conflict with the surrounding environment. Several of his pieces are displayed to represent a similar disjuncture. In all of his sculptures—whether those that are strictly geometric or those that are more organic—he experiments with the interplay of light and shadow, solids and voids, as well as texture to create pieces which convey a sense of quiet monumentality. Moreover, his work emphasizes simple lines and basic forms: for it is in the absence of excessive detail and ornamentation that the viewer is able to grasp the mediation of past and present which is embodied by Djordje Aralica’s work.

Karen Britt, PhD, Art Historian
Back or front - your choice.
359 Views
26

VIEW IN MY ROOM

Soil − Tower Sculpture

Djordje Aralica

Serbia

Sculpture, Clay on Other

Size: 6.3 W x 9.8 H x 3.5 D in

Ships in a Box

info-circle
SOLD
Originally listed for $960
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
359 Views
26

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Terracotta, fired on 900 degree C, 25x16x9cm (9.84x6.3x3.54in), signed on the concave side. The piece was made for my cycle entitled SpaceFormJERUSALEM, which was inspired by the impressions collected during my ten-month long sojourn in the fascinating city of Jerusalem. The exhibition catalogue discribes its major sentiment: SpaceFormJerusalem The recent body of work created by Djordje Aralica explores the artist’s relationship to his temporary home in SpaceFormJerusalem. It was here that our paths crossed in early 2007, and it has been both an honor and pleasure to become his friend. While the sculpture of this series inconsistently architectonic, evoking both pre-modern and contemporary architectural forms, Djordje has chosen to render the pieces in terra cotta, a medium which has a long history dating back to antiquity. The juxtaposition of elements of the past and present in his work is a metaphor for the seemingly inherent contradictions found around every corner of Jerusalem. In this way his work evokes the modern city with its long and rich past, which struggles to accommodate all of the trappings of modernity. One of the most visible examples exists in the contemporary architecture and public monuments of Jerusalem which appear often to be in conflict with the surrounding environment. Several of his pieces are displayed to represent a similar disjuncture. In all of his sculptures—whether those that are strictly geometric or those that are more organic—he experiments with the interplay of light and shadow, solids and voids, as well as texture to create pieces which convey a sense of quiet monumentality. Moreover, his work emphasizes simple lines and basic forms: for it is in the absence of excessive detail and ornamentation that the viewer is able to grasp the mediation of past and present which is embodied by Djordje Aralica’s work. Karen Britt, PhD, Art Historian

Details & Dimensions

Sculpture:Clay on Other

Original:One-of-a-kind Artwork

Size:6.3 W x 9.8 H x 3.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Usually, the place where I live at any given moment, with its daily routines, dictates the choice of my subject matter. As a rule, I am interested in the objects of everyday life, which appear to be surprisingly uniform wherever you go. In my work, they unite collective and personal experience. I never recycle real objects in a manner of an assemblage, but rather present my own associative, monumentalized interpretation of their form. I choose medium, mode of craftsmanship, both of which suggest underlying narrative context, but also provide monumental quality of architecture. My objects are reduced to a gallery format, but I see them as large-scale urban sculptures evocative of common human activities.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support