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This beautiful Horstmann timepiece was the old electrical meter in my house. The stegasaurus was purchased from the Ulster Museum in Belfast in 1984. They met for the first time 6 months ago.
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The End of Time Sculpture

Ross Cunningham

United Kingdom

Sculpture, Glass on Glass

Size: 5 W x 11 H x 6 D in

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About The Artwork

This beautiful Horstmann timepiece was the old electrical meter in my house. The stegasaurus was purchased from the Ulster Museum in Belfast in 1984. They met for the first time 6 months ago.

Details & Dimensions

Sculpture:Glass on Glass

Original:One-of-a-kind Artwork

Size:5 W x 11 H x 6 D in

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Ross Cunningham has worked in the creative industry for over twenty-five years. He studied architecture at Nottingham University, and subsequently worked in commercial graphic design, establishing a London-based design agency in 2009. Since then, Ross has worked internationally, across a range of sectors, with a primary role as creative director for various brand identity programmes. In his painting work, there is a natural emphasis on bold graphic elements and architectural form. Pre-production is often carried out digitally, combining traditional sketching with skills developed in commercial design practice. Specific artist influences cited are Richard Diebenkorn and Milton Avery. Of particular interest is the threshold between representational and abstract modes of painting. Diebenkorn’s Ocean Park series is noted as a high point of reference, where an expressive painterly style is complemented with an overall sense of architectural order and graphic simplicity. ​ Growing up on the coast in Northern Ireland, subject matter is often drawn directly from the sea. Common to much of the work is a sense of escapism, be it through nostalgic references or an exploration of iconic and faith-related narratives. Each painting contains its own battle to create order beyond the merely physical subject matter—to find some sort of harmony and rest in the final relationships of form and colour.

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