249 Views
12
View In My Room
Sculpture, Fiber on Plastic
Size: 39.4 W x 39.4 H x 1.2 D in
Ships in a Box
249 Views
12
Artist featured in a collection
In this current body of work, I am exploring the revival of backdrops. Traditionally used to create the setting in theatre, cinema and literature they are finding their way in the virtual workspace. In these times of remote working and visio-conferencing where the accidental background reveals the private context of the worker, care is taken to dissimulate one’s private surroundings. Therefore, the backdrop becomes a deliberate choice, much like a ritual, symbolic of a demarcation line between the work context and the private sphere of life. In this new setting the workers are as actors before a camera interacting with other actors in the virtual working world. But on a universal level, which is more crucial to my work is that the use of discarded materials fosters and emphasizes the global issues of ecology and upcycling, which is the invisible actual and real backdrop we all share.
2022
Fiber on Plastic
One-of-a-kind Artwork
39.4 W x 39.4 H x 1.2 D in
White
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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France
I’m a visual artist and lecturer on Environmental Art. In my work I’m currently exploring the aesthetics of organic fibre and refuse synthetic fibre. Conducting workshops and lectures on Art and Environment to environmental science students I was naturally led to consider 'junk' materials as something to celebrate and to showcase these for their inherent virtues beyond mere usefulness. I hope to share with the viewer the beauty of bonding with materials we tend to disregard and foster an organic aesthetic. I’m fascinated by the juxtaposition of junk synthetic produce bags with sisal wrapping string. By this I’m marvelled at how a parallel ecology comes to the foreground. Recycling junk for the mere sake of recycling is not enough. I strongly feel that praising matter for its own sake is more fulfilling, and art is the best way of looking at discarded materials as a resource for creation. In considering environmental issues it's important to me to reconnect to our surroundings: the material world is the springboard of evolution, where I can enact the attempt to “love matter as myself”. As I shape matter, I myself am being shaped. The style is abstract and yet tactile. I like the materiality of humble materials.
Artist featured by Saatchi Art in a collection
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