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Close-up of "The forest of unrooted trees no2"
Close-up of "The forest of unrooted trees no2"
Close-up of "The forest of unrooted trees no2"


The forest of unrooted trees no.2 Sculpture

Olya Tereschuk


Sculpture, Fabric on Canvas

Size: 47.2 W x 31.5 H x 0.8 D in

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About The Artwork

"The forest of unrooted trees no.2" Is a statement artwork from new series of Olya's work. Made with one by one assembled thin cotton threads then embroidered onto a canvas these tree-like sculptures symbolize people, who suffered disconnection from their mother ground, families and friends due to current tragical events. Being russian with ukrainian roots Olya, as many other people in a similar or worse situation, shares the pain of loosing part of the personality, that she was deeply associating herself with. This feeling of beind lost and homeless made it onto the canvas in form of a tree, torn out of its roots, disconnected from its sources. All artworks are made with professional quality paints on the best possible canvases and stretched by Olya to a wooden frame. Packed extremely safely with minimum possible use of plastic and dispatched from Hungary within three-five work days from the day order placed. Please note: The painting is sold without frame. ____________________________ I hope you enjoy viewing the artwork. Olya *Please note: All computer monitors display colors differently, so the painting may differ slightly in tone from the image you see onscreen. If possible check the artwork on few different screens prior buying it.

Details & Dimensions

Sculpture:Fabric on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 31.5 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hi! I'm Olya. I was born and raised in Novosibirsk (Siberia, Russia) and twice in my life I have relocated to another country and another culture away from my family. The immigrant trauma, loss of connections, closed borders, disappearing memories of motherland, trauma of attachment in a context of relocation - my background definitely plays role in my practice. I’ve chosen embroidery to be my dominant artistic tool because it is expressive, graphical, and rhythmic and allows me to highlight the texture of the artwork, make it voluminous and -at the same time- it’s tactile and allows me to attempt to form and expose the metaphorical “memories” in my work, to manifest the essence of the memory and include an emotional component into it. For me it is a serious practice which allows me to connect to my work on multiple levels. One of the materials which I use constantly is a thread, which helps me to “connect the time” in my work: past and present and highlight the importance of social connections for our existence. The objects I create through embroidery and fabric often take shape of an imaginary landscape, reflected in a water. They are a metaphor for our partly erased memories, reflected in our conciseness distorted over time with missing details. Where made up by our past experience beliefs fill up the blanks and mixing the memories with illusions. I refer to my works as “Horizons” where the horizon line is often embroidered, balancing and shaping the connection between illusion and reality, between past and present. The word “horizon” is often used as a metaphor for future, for something ahead of us. My Horizons are the horizons of past, often overlooked, those that we leave behind, unseen and invisible, but also those that are shaping our present and future. Welcome to my gallery, I am truly happy to share my art with you!

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