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View In My Room
Sculpture, Aluminium on Other
Size: 8.7 W x 4.7 H x 11.8 D in
Ships in a Crate
215 Views
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The negative space of a vessel, in this case a standard household envelope. Cast in Aluminium. 1 of 6 unique casts capturing the individual transience and potential these paper walled vehicles can contain. These casts capture and represent a shape that is only temporary yet for a moment makes visible the invisible. Not one is perfect as they all lay bare their marks of use, with all journeys things change and that is what these casts bring to the fore, not to be hidden.
2011
Aluminium on Other
One-of-a-kind Artwork
8.7 W x 4.7 H x 11.8 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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United Kingdom
Born and raised in Buckinghamshire, UK in 1979. Dickie has worked overseas in New Zealand, North/South America, Japan and Europe for 17 years and spends half the year in New Zealand and the rest in artist residencies around the world or nestled in a mountain resort coaching snowboarding. Through my nomadic adult life, I have learnt to adapt to different environments, constantly altering my connection to landscape. My current practice explores the potential that exists within disremembered spaces, investigating these spaces both physically and virtually for their anthropomorphic qualities. Just like a good conversation you never want it to end my connection to landscape seems to grow stronger the more I experience it. My studio works take advantage of subtle technologies, sound and kinetic elements, disrupting our everyday sensory awareness of space. Outside the studio I introduce heterotopic objects into abandoned spaces, these forms suggest what could be or might happen and allow the mind to see beyond the relative space. These interventions feed back into my studio as case studies for better understanding about the potential contained within these sites. I intend the works to sit somewhere between the familiar and imaginary, as do the liminal spaces with vague boundaries and vacant thresholds.
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