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Venezuela
Sculpture, Fabric on Plastic
Size: 3 W x 5 H x 2 D in
Ships in a Box
magical-ecological art, made of recycled material, filled with plastic bags. They belong to an African tradition of blacks brought to America: "The cannabis plant was not indigenous to Brazil and, although it is not known for sure how it got there, it is very likely that it did so with the black slaves of Africa (for its recreational, religious and medicinal purposes) in the sixteenth century, when they were sent to work in the sugarcane plantations of the northeast of the country. Legend has it that the seeds of cannabis were transported in rag dolls tied to the rags worn by the slaves "(*). Some, on their own, have decided to follow Jano (Henoch), Roman deity of two faces, one looks to the past and one to the future. From there also the month of January. Devils with two masks. There are between 12 and 17 cm. (*)https://www.tni.org/files/download/auge-y-caida-web.pdf
Original Created:2017
Subjects:Popular culture
Materials:PlasticSoft (Yarn, Cotton, Fabric)
Styles:FigurativeFolkPop Art
Sculpture:Fabric on Plastic
Original:One-of-a-kind Artwork
Size:3 W x 5 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Venezuela.
Customs:Shipments from Venezuela may experience delays due to country's regulations for exporting valuable artworks.
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Venezuela
The objective of my art is to make visible the invisible, what is not seen but feels. My work is about saving life on earth from the use of the 3R, reduce, recycle, reuse to which I add resemantizar. I do my work with my body, seeing through the eyes of the spirit, hearing the truth, breathing hope, speaking to heal, bless and prosper, beating with all my might, working with the hands of love and dancing with my victorious suns. The streets are my imagination and matter. I want to unleash an unlimited love for life in my audience. The girl asked: why can not we see the picture now? And the father invented instant photography. Since then: 1947, we live in an immense NOW.
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