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Spain
Sculpture, Metal on Aluminium
Size: 12.5 W x 9 H x 4.7 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
Contemplating works of ancient civilizations, prehistoric art, myths and legends, as with any other source of inspiration or study, the human being is increasing their knowledge through assimilation and analysis to get their own criteria, intellectual issues etc in which each one is interested. I was working on my sculptures when suddenly I realized that they were very familiar, very close to something or someone, maybe another artist? At that moment I thought about brancussi ?, archipenko? Modigliani ?. but my work was far from them there had to be another connection beyond, stronger than deeper than the simple fact of being influenced by these masters of art. It was at that moment that I returned to the books of art history, specifically Cycladic art, and discovered the connection between the masters of contemporary art mentioned above and the work I was doing. "We all drink from some source"
Sculpture:Metal on Aluminium
Original:One-of-a-kind Artwork
Size:12.5 W x 9 H x 4.7 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Spain
Jeroni Bosch,(Manacor ,Mallorca 1975) My creative process is based on the observation of the subject and its environment, I try to listen In order to find the most appropriate way to establish a dialogue with the materials. The inspiration of the representations or concepts I express with my work, arise from the analysis of hundreds of sketches and drawings that I do daily that I allow to emerge from my subconscious by observing in them my state of mind or the relationship with my environment. Although there are several concepts that make up the narrative thread of my artistic discourse, they do not have the need to emerge or surface in front of the observer in the form of a message or rhetorical figure, forms so usual and structured in languages that sometimes leave no room for imagination in its place I use a variant that I call "Nexus - language". as a concept would become a preverbal language of free cognitive configuration. My personal observations as an individual and as an Artist are exposed to the public who is free to interpret and analyze from their own valuations or criteria both personal and sociocultural enriching the work with the intrinsic value of this symbiosis between man - subject I have always maintained a connection with the concept (Man-Subject) trying to maintain a fluid dialogue through a variety of techniques that fulfill an "interogative roll" in this equation. To develop my work in this sense, it was indispensable to learn the different sculptural techniques involved in each process and in each material. I learned to work the marble and other stones in Carrara (Italy), frequenting the academy of fine arts and with the practice continued in my workshop. To work with the Wood I learned it being very young since I come from a family of craftsmen dedicated to the works of cabinetmaking. In my early years as a student of Arts and Crafts I had the opportunity to learn the technique of iron forging, at that time. to help me pay for my studies, I worked in a company dedicated to die-stamping so I learned some metal machining processes. Later, a professor at the school of arts and design in my city, he offered me a job in his company where he learned textile techniques, the manufacture and restoration of handmade knot carpets and textile tincture.
Artist featured by Saatchi Art in a collection
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