3 Views
1
View In My Room
Sculpture, Relief on Clay
Size: 66.9 W x 86.6 H x 1.6 D in
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3 Views
1
first one of the Naive Force. from the Loneliness series.
2023
Relief on Clay
One-of-a-kind Artwork
66.9 W x 86.6 H x 1.6 D in
Not Framed
No
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Montenegro.
Shipments from Montenegro may experience delays due to country's regulations for exporting valuable artworks.
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Montenegro
Mila Halizova was born in 1992. As the granddaughter of a cabinetmaker and a pediatrician, she has long been fascinated by these natural sources of inspiration and manual work.ranging from preservation to decay. Her large tactile works combine collected natural objects such as acorns, seeds, inflorescences, cones, and algae. One could say that the visual impression of her work is derived from its tactility. All materials are found during the artist's frequent nature walks around the Bay of Kotor area and mountains. More recent investigations in her studio practice include earth, clay, resin, and tools with an intuitive sense of form. "Conjunction" refers to the physical connection between the two most important elements of her practice: her methods and materials, and how they are intertwined or conjoined. This process echoes the artist's deeply personal experiences and associations, as demonstrated by the titles of many of her paintings. Elements are simplified and pared down to what is essential. With such simplicity, the viewer can appreciate not only the sculptural details, such as the harmonious nature of connecting materials, but also the beauty and wonder offered by nature, which we often overlook. The elegant simplicity of Mila Halizova's line belies its complex process. The expression of beauty, while exploring the properties of natural elements, remains at the heart of her practice. The sensitive interpretation of Mila's paintings does not stop at their surface, which only acts as a skin, hiding a much deeper and less straightforward level of interpretation.
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