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Man sitting by the window Painting

Yuko Nabeta

United Kingdom

Painting, Oil on Canvas

Size: 25.9 W x 31 H x 2 D cm

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¥86,391

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I found this image through my friend's album photo. The main subject in the picture was his girlfriend. Though my interested in the anonymous man behind her. I was curious to paint that people who I never met and probably I will never know who he is.

Year Created:

2023

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

25.9 W x 31 H x 2 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

My work explores the paradoxes inherent in the human condition: love and hate, joy and sadness, amusement and boredom, birth and death. At its core lies a sense of wildness and unpredictability, an uncontrollable energy that mirrors life itself. I bring together the familiar and the unfamiliar within the same setting, blending elements that evoke recognition with those that challenge perception. This tension creates a sense of purposeful foreboding, as distortions in composition, color contrasts, and subject matter subtly unsettle the viewer. Yuko Nabeta was born in Japan 1973. She moved to New Jersey for few years study English. In 2000, she came to London, she graduated her BA Drawing at Camberwell College of Art. Since then she works in her studio in East London. She works primarily with oil paint and charcoal, mediums that mirror the grimy, fluid nature of reality. Recently, I have been focused on large-scale charcoal drawings. These pieces begin as unhinged, mysterious forms, emerging gradually through an embodied process of layering, smudging, and erasing with my hands and rubber. This tactile interaction feels sculptural, as though the image reveals itself over time rather than being pre-conceived. The process is unpredictable, and that unpredictability is essential to the work.

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