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Small Windows In A Large Sky, Limited edition 2 of 20 Collage

John Currin

New Zealand

Collage, Digital on Paper

Size: 63 W x 32 H x 0.3 D cm

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Giclee Print on Fine Art Satin Paper Limited Edition 2 of 20

Year Created:

2007

Subject:
Mediums:

Collage, Digital on Paper

Rarity:

One-of-a-kind Artwork

Size:

63 W x 32 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

New Zealand.

Need more information?

Need more information?

John Currin Born 1972, Auckland New Zealand. Bachelor of visual arts A.U.T 1996 Painter, photographer, illustrator, digital artist and owner of Obscure Gallery. Dark, enigmatic, cryptic, ambiguous; words often used to describe the works of John Currin, those manifestations of an artist on the peripheries of artistic vision. Currin describes his work as an intuitive process, by which the subject and medium of each piece slowly morph and accumulate into the surreal. By their very nature Currins works are sullied by the elements, their subjects emerging through the textures of time. They reference things we may consider unworthy, like rust or graffiti, like decrepit walls and shattered glass. Here the elements of our neglect, the residues of subversive acts or violence, become the underpainting upon which the works are built. Those undercurrents coexist with classic form and sweeping vistas; the decrepit and the 'beautiful,' their boundaries shadowy and vague. In this way Currin perverts the thickness of history, relocating it and its mesh of references. Here he creates a carnivalesque world where the rational and the irrational, the celebrated and the obscure, the beautiful and the grotesque, are brought together in a vigorous state of play.

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