Yang Yang

Yangyang born in Fuzhou, Fujian, nurtured by the geographical tapestry of "Three Mountains, Two Pagodas, One River" and a family legacy of art collecting, shaping a poetic aesthetic rooted in classical landscapes.

As a professional painter from China, my artistic journey is deeply rooted in the rich tapestry of traditional Chinese aesthetics, yet it constantly seeks dialogue with contemporary global art movements. My approach is a deliberate fusion, aiming to bridge the profound philosophical underpinnings of Eastern art with the dynamic expressive possibilities of Western techniques.

My primary inspiration stems from two inexhaustible sources: the sublime beauty of nature and the intricate nuances of human experience. Growing up amidst China's diverse landscapes, from the majestic mountains to the serene rivers, I developed a profound appreciation for the natural world's inherent harmony and ever-changing vitality. This is not merely about replicating what I see, but about capturing the 'qi' (气) – the vital energy and spirit – that permeates all living things. I often find myself drawn to the subtle interplay of light and shadow, the delicate balance of form and void, and the transient moments that reveal nature's enduring power...

Studied classical landscape painting at Tsinghua University Academy of Arts & Design (early 2000s), inheriting rigorous academic training from northern Chinese masters.

Cultivated a signature style fusing Southern lyricism (Fujian’s misty grace) with Northern structural discipline, coined as "Bone of the North, Breath of the South".

2018 Venice Architecture Biennale (Parallel Event): Water Dialogues ink installation series exploring "Void vs. Constructed Space" in East-West architectural contexts.

2020 Shanghai International Ink Biennale (Special Unit): Salt & Fresh Millenniums showcased as a "Liquid Chronotope" conceptual piece redefining ink’s temporal dimensions.