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Gracious (Byzantine Blue) Photograph - Limited Edition of 8

Brigitte Spiegeler

Netherlands

Photography, Black & White on Aluminium

Size: 88 W x 88 H x 1.5 D cm

Ships in a Crate

€2,652

Shipping included

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291 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work is from the serie 'Byzantine Blue'. All works are made in Istanbul. I used an analogue pinhole camera to make this photograph. This old technique makes the image look as if it dates from 'old times'. Time and transformation is always playing an important role in my work. To the photos I ha...

Year Created:

2012

Subject:
Mediums:

Photography, Black & White on Aluminium

Rarity:

Limited Edition of 8

Size:

88 W x 88 H x 1.5 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Need more information?

Iconic, eye-catching yet serene, high-quality artworks. Works of Brigitte Spiegeler are in various international private and company collections. Participated in the Venice Biennial 2017. ‘Brigitte Spiegeler’s work is about an imaginary time, which exists only in our minds: a timeless, internal time. Like a memory: vague, with reappearing details (the memory is engraved in the present moment, but in the same time immensely distant and imperceptible (memories belongs to the past). The blue colour gives a different relation with the time: it is a modern time, with abstract forms, superimposed on a fixed past, a complement to what already existed.’ (Quote by Philip Peters in the publication ‘Byzantine Blue’)

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