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Orthogonale Axonometrie Print

Farshido Larimian

Austria

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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12 x 9 in (€85)

12 x 9 in (€85)

20 x 15 in (€119)

32 x 24 in (€204)

40 x 30 in (€340)

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No Frame

Black (€68)

White (€68)

Natural Wood (€68)

Metal: Light Pewter (€128)

Metal: Dark Pewter (€128)

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€85

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

‘Orthogonale Axonometrie’ 1906-2021 Once, in my never-ending rummage of my beloved bookstore (the oldest in Vienna), exploring its damp and forgotten cellar, I came across a box that was filled with old architectural plans and furniture designs, with color lithographies and water color on paper wit...

Year Created:

2021

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Farshid Larimian (Farshido) is an artist with a chemical & petroleum engineering background, born in Babol/ Iran in 1983, raised in Tehran and has been living in Vienna since 2007. Farshido's first step and fundamental characteristic in his artistic creation process is discovering the aesthetic objects. Objects which are transformed into artistic objects, or used as a part in their construction. These objects are usually left alone, dusted in basements, garages, attics, secondhand stores or flea markets. There are two main differences between Farshido's artworks and the works of artists who use aesthetic objects as well. Firstly, he tries to glorify the historical value of the object and the talent of its creator. Choosing the nickname Farshido (which is the contraction of Farshid and others) is also based on this fact. Secondly, he tries to invite his audience to the opportunity of the aesthetic experience through his artworks. He leads them to a point of confrontation with exaltation, freedom, transgression, and rebellion of the objects, the aesthetic objects whose interactions form the artwork. His artworks sometimes use metaphors and sometimes lead the observer toward a direct sensory connection with the pieces and toward a personal revelation through delaying the meaning.

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