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Billie Holiday "Strange Fruit" Print

Carl Bradford

United States

Open Edition Prints Available:
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Canvas

Canvas

Fine Art Paper

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14 x 21 in ($257)

14 x 21 in ($257)

16 x 24 in ($277)

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White Canvas

White Canvas

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White ($150)

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$257USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

"Strange Fruit" is a song performed most famously by Billie Holiday, who first sang and recorded it in 1939. Written by teacher Abel Meeropol as a poem and published in 1937, it protested American racism, particularly the lynching of African Americans. Such lynchings had reached a peak in the South ...

Year Created:

2019

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

JazzHead Studios is a collection of artworks inspired by and about the feelings and intensities from Jazz music. This collection all mixed mediums or original works on paper. My name is Carl H.Bradford III. I'm a bit of a creative idealist when it comes to my work. I surround myself with the many creative efforts of classic jazz and up and coming jazz musicians, bouncing between the older classics and the new. I feel I have a vast array of inspiration with all the past and present music available. Once I have that music in my ears, it inspires me to create my jazz works on paper. I search everywhere for jazz imagery, or I look in my own personal image collection for that perfect shot. As a graphic designer, I have been influenced by years of editorial image searches. Then hone in on an artist who is fully engaged in deep, musical thought. This is what pushes me to create the many layers that I call my JazzArt. My works can be subtle or dynamic, having color, texture and execution options. It is free flowing or graphic in nature. I work in a mixed medium approach using coffee grounds, watercolors, inks, dyes, pencils and pastels. I lock down each pass of the pastels with fixative, then add the next layer of emotion and color. For many years, I blended my multi-colored wash backgrounds with metallic, inks and dyes. This gave me a background on which to rest, or to pull out the figurative features in my compositions. This visually abstracted the coloring and highlights of my subjects. For the past 6 years, I have done the reverse - locking the features into the top layers with the background layers blended around the subjects. Though I’m still experimenting with new approaches, color techniques, formats and executions, I see myself capturing or recording the history of jazz for a new generation of traditionalists. The only way to survive is to evolve. The only way to evolve is to be creative.

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