In the Copia Picasso series, William is interested in producing his own vision of the artist Pablo Picasso, through a game of appropriation and contribution, in which a project is played to study his techniques and visual interpretation of the life of the artist from Malaga.  William works in this series a variety of resources such as copying, realism, reproduction of the pictorial technique, narration, as well as techniques that he contributes such as cutting sections of the same canvas as "translation", or, to move from one space to another, the purpose is to translate the void with the element placed, moved to another space or scene.

Copy

Copy Picasso

Proposals for new drawings and color - 2015

Senses, Chaos and Frequencies

The image as the essence of the real is the epistle of the Hare lost among the clouds, the light returns you to considering to be her friend (La imagen como esencia de lo real es la epístola de la liebre perdida entre las nubes, la luz lo regresa considerando ser su amiga)



Final World

This is a collection of paintings from my Symmetrical Abstraction series. During the work process I focus on three topics: "action painting", "drip painting" and "autonomous painting", with which I can reach a greater expressive freedom of patterns of symmetrical shapes, compared with those of the Rorschach Test. The concept in this series of paintings is to propose a plastic diversity compared to that of the Rorschach Test without its subject being the therapeutic, but rather a creative extension of it in its interpretative multiplicity.

Symmetric Painting


In 2016 I started a series of figurative sculptures where I pose the figure emphasizing in the movement to the limit of the abstraction, since I consider that the greater abstraction of the figure occurs in the movement of this, the "speed" in which it happens is for me A certain reaction for the time to happen. This collection brings together a series of portraits, nudes, and torsos, etc., made in cement through the mortar casting technique. The use of cement seems ideal for the sculpture, since it is a cheap but rigid and resistant material at the same time, it is less dangerous when working and can be combined with other materials and techniques giving it a more unusual touch More creative than bronze casting.

 Journey from the figurative to the abstract

Brillo is a collection of techniques and mixed media of drawings and paintings with light support in aluminum panels. It does not have specific themes, they are energies, they are absorptions, they are my journals in a world that represses and hurts from different spheres: national, social, individual; Is, so to speak, a song of colors and shines to the freedom of a country in disgrace.

William Rafael Marquina Buitrago