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Original Abstract Expressionism Abstract Painting by Brett Polonsky
Original Abstract Expressionism Abstract Painting by Brett Polonsky
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Original Abstract Expressionism Abstract Painting by Brett Polonsky
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Original Abstract Expressionism Abstract Painting by Brett Polonsky
Original Abstract Expressionism Abstract Painting by Brett Polonsky
Original Abstract Expressionism Abstract Painting by Brett Polonsky
Original Abstract Expressionism Abstract Painting by Brett Polonsky
Original Abstract Expressionism Abstract Painting by Brett Polonsky

14

Be Al One Fine Art Print

Brett Polonsky, United States

€133

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 16 in (€133)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Painting is a process for me where Im al one with my thoughts. Al one with my colors and textures. The process is the adventure. That's why I do it. Signed, titled, dated on back. Ready to hang.

Year Created:

2016

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

North of Seattle, I work in oil, pastel, wood, and metal—materials that speak in weight, friction, and gesture. My process is instinctive: a negotiation between chaos and structure, breath and pressure. Paintings emerge like weather systems; sculptures like remnants or artifacts, half-remembered and half-discovered. I chase the edge where form unravels, where memory, body, and landscape blur. Each piece holds something unsettled—movement, residue, a kind of presence. Nothing is too fixed. Everything moves. My work follows the shape of what’s almost there—and leaves space for what can’t be named.

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