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View In My Room

Zigzag Saw Print - Limited Edition of 20

Stuart Hicking

United Kingdom

Open Edition Prints Available:
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Canvas

Canvas

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Acrylic

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14 x 21 in (SAR 484)

14 x 21 in (SAR 484)

16 x 24 in (SAR 521)

20 x 30 in (SAR 596)

24 x 36 in (SAR 746)

30 x 45 in (SAR 1,159)

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White Canvas

Black Canvas

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White (SAR 563)

Black (SAR 563)

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SAR 484

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I set myself the problem of putting a long thin tool into a rectangle and was amused by my solution. I'd been following the Op Art revival in London during the 70s, especially Bridget Riley. I like the saw as it reminded me of the conjuror's trick of sawing someone in half! My giclée prints use 12 p...

Year Created:

2024

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I went to art college back in the 1970s, where I received a BA 1st (Hons) in Fine Art before completing an MA at the Royal College of Art in the film school. I then worked in film and video production and finally the education sector before early retirement. ​ My main influences are the artists being talked about in the 1970s, such as Jasper Johns, Robert Rauschenberg and Jim Dine. The New York scene seemed to combine and challenge what art, performance and film could be in a way that has left a permanent mark on my psyche. This cocktail of Pop Art imagery and Abstract Expressionist mark-making seems to be where I feel most comfortable.​ The imagery I refer to in my work is autobiographical and has a backstory which is both personal and yet familiar to us all. It is where everyday objects seem to mean a lot.

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