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Medusa mind Print

Zoya Byelovolova

United Kingdom

Open Edition Prints Available:
Select a Material

Canvas

Canvas

Fine Art Paper

Select a Size

14 x 21 in (€121)

14 x 21 in (€121)

Select a Canvas Wrap

White Canvas

White Canvas

Black Canvas

Add a Frame

No Frame

White (€128)

Black (€128)

No Frame

€121

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Medusa Mind is a black and white drawing that explores the dark complexities hidden beneath outward beauty. Inspired by the myth of Medusa, the piece portrays a beautiful woman whose head is crowned with writhing snakes—symbols of sinister thoughts, envy, and the poisonous duality within human natur...

Year Created:

2025

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My work explores the tension between spontaneity and structure, using expressive mark-making and layered composition to evoke emotional nuance and psychological depth. I blend figurative suggestions with abstract forms, often allowing the medium to guide the evolution of the piece. My palette tends to be restrained but purposeful—muted earth tones and soft pastels contrast with sharper gestural lines or darker accents, creating a dynamic interplay between calm and intensity. There’s a tactile quality to my surfaces: paper, paint, and pencil interact in ways that suggest erosion, memory, and impermanence. Recurring themes in my work include transformation, inner states, and liminality. Figures may appear partially obscured or dissolved, as if caught in motion or on the edge of recognition—inviting the viewer to complete or question the image. I work intuitively, often beginning without a clear endpoint, allowing emotional response and subconscious pattern to dictate form. The result is a body of work that feels both intimate and open-ended, encouraging reflection on what lies beneath the surface of the visible.

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