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"Impermanent State" Painting

→ Christina Misuro, Poland

Painting, Oil on Canvas

50.8 W x 69.8 H cm

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

€810

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ABOUT THE ARTWORK

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"Impermanent State" is a subtle and deeply philosophical tale about the cyclical nature of life. This artwork serves as a reminder that no human experience — whether difficult or joyful — is permanent. It is a visual metaphor for the inner landscape where sun and clouds constantly exchange places. T...

Year Created:

2026

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

50.8 W x 69.8 H x 5.1 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Christina Misuro

About the Artist

Christina Misuro

Poland

My paintings explore the fragile boundary between the visible and the invisible, where dreams, memory, instinct, and emotion merge into symbolic landscapes. Rather than depicting the external world, I create spaces where psychological states take physical form through spectral figures, animals, shifting bodies, and fluid, oneiric shapes.

I am drawn to the parts of ourselves that are often hidden: fear, tenderness, desire, anxiety, longing, and the quiet forces that shape us beneath conscious thought. Water, hybrid creatures, and ghostlike presences recur throughout my work, not as fantasy, but as metaphors for the subconscious and the complexity of being human.

For a long time, I tried to fit the expectation of being gentle, agreeable, and emotionally restrained. Painting became the place where I could abandon that role and embrace contradiction instead. My work is rooted in the belief that light and darkness are not opposites, but inseparable aspects of the same inner landscape.

Working primarily in oil, I build atmospheric surfaces through layered, muted color, allowing forms to emerge gradually, as if remembered rather than invented. I am less interested in giving definitive answers than in creating images that invite contemplation and emotional recognition.

My paintings do not seek to illustrate emotions; they seek to embody them. Each work is an invitation to enter a space where vulnerability, instinct, memory, and imagination coexist without judgment.

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