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Oak gall ink on Cotton Organdie. My interest in internal and external spaces has led me to draw the Showroom collection in the first place. This particular image does present a clear image of a garden with a book on a table and a palm tree in the background yet the main character (the reader/writer?) is not there. By using loose free-hand brush strokes I trace the moment but never really capture it as if it was a story imagined in one’s mind... It is a similar experience after one finishes reading a book: an image is created in one’s mind but it is never completely realistic and appears uncertain or even scattered. The use of monochrome ink confirms the scene is only a dream, but knowing that I use my own homemade Oak-gall ink brings some warmth and care to that almost transparent and almost untangible image in transformation.
Oak gall ink on Cotton Organdie. My interest in internal and external spaces has led me to draw the Showroom collection in the first place. This particular image does present a clear image of a garden with a book on a table and a palm tree in the background yet the main character (the reader/writer?) is not there. By using loose free-hand brush strokes I trace the moment but never really capture it as if it was a story imagined in one’s mind... It is a similar experience after one finishes reading a book: an image is created in one’s mind but it is never completely realistic and appears uncertain or even scattered. The use of monochrome ink confirms the scene is only a dream, but knowing that I use my own homemade Oak-gall ink brings some warmth and care to that almost transparent and almost untangible image in transformation.
Oak gall ink on Cotton Organdie. My interest in internal and external spaces has led me to draw the Showroom collection in the first place. This particular image does present a clear image of a garden with a book on a table and a palm tree in the background yet the main character (the reader/writer?) is not there. By using loose free-hand brush strokes I trace the moment but never really capture it as if it was a story imagined in one’s mind... It is a similar experience after one finishes reading a book: an image is created in one’s mind but it is never completely realistic and appears uncertain or even scattered. The use of monochrome ink confirms the scene is only a dream, but knowing that I use my own homemade Oak-gall ink brings some warmth and care to that almost transparent and almost untangible image in transformation.
Oak gall ink on Cotton Organdie. My interest in internal and external spaces has led me to draw the Showroom collection in the first place. This particular image does present a clear image of a garden with a book on a table and a palm tree in the background yet the main character (the reader/writer?) is not there. By using loose free-hand brush strokes I trace the moment but never really capture it as if it was a story imagined in one’s mind... It is a similar experience after one finishes reading a book: an image is created in one’s mind but it is never completely realistic and appears uncertain or even scattered. The use of monochrome ink confirms the scene is only a dream, but knowing that I use my own homemade Oak-gall ink brings some warmth and care to that almost transparent and almost untangible image in transformation.

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A Book and a Palm Tree – Limited edition of 1 Drawing

Neringa Dastoor

United Kingdom

Drawing, Ink on Soft (Yarn, Cotton, Fabric)

Size: 27 W x 40 H x 0.1 D cm

Ships in a Box

€283

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Oak gall ink on Cotton Organdie. My interest in internal and external spaces has led me to draw the Showroom collection in the first place. This particular image does present a clear image of a garden with a book on a table and a palm tree in the background yet the main character (the reader/write...

Year Created:

2017

Subject:

Garden

Styles:

Fine Art

, 

Folk

, 

Minimalism

, 

Illustration

 

Mediums:

Ink

, 

textiles

, 

cotton

, 

brushes

, 

home-made oak-gall ink

, 

Soft (Yarn, Cotton, Fabric)

, 

Other

 

Mediums:

Drawing, Ink on Soft (Yarn, Cotton, Fabric)

Rarity:

One-of-a-kind Artwork

Size:

27 W x 40 H x 0.1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.

Neringa Dastoor (b.1978, Lithuania) is Alumna of the Royal College of Art in London. She moved back to London England after 2 years in Brooklyn, New York and 2 years in Brighton. She makes marks whether with her own made oak hall ink or thread. Materials play a big part embodying more than the eye meets. She is also ma-ma to two young children.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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