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"The Refuge that does not Dwell on Earth" Painting

→ Maria Elena Porte Petit, Mexico

Painting, Watercolor on Paper

30.5 W x 45.7 H cm

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

Â¥111,991

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ABOUT THE ARTWORK

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There is a corner where time stands still; a forest that appears on no map because it does not dwell in the outside world, but rather in the silence of one who has learned to let go. It is the idyllic refuge we build with the pieces left behind after the storm. Here, every tree holds a memory and ev...

Year Created:

2026

Subject:

Mediums:

Painting, Watercolor on Paper

Rarity:

One-of-a-kind Artwork

Size:

30.5 W x 45.7 H x 0.3 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Mexico.

Customs:

Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Maria Elena Porte Petit

About the Artist

Maria Elena Porte Petit

Mexico

I am a visual artist and educator whose work is a constant dialogue between the past and the present. With a professional background in Fashion Design, I have transitioned from the structural world of textiles to the expressive freedom of mixed media. My art is deeply rooted in the philosophy of Kintsugi—the beauty of precious scars—and the concept of 'mending' as a form of resilience.

My creative process is a tactile exploration of organic textures. I work with hand-painted rice paper strata, corrugated layers, and stones, creating a sense of geological and emotional depth. While some of my pieces feature meticulous hand-embroidery as a symbol of connection, others rely on the raw beauty of the materials themselves.
As an instructor, I lead Mixed Media and Experimental Painting workshops, sharing my passion for texture and history with a community of creators. My background in Art History and my training at the National Museum of Watercolor inform my use of color and composition. I seek to capture the harmony of shared stories, turning each layer, stone, and stitch into a sanctuary of strength.

Recognition:

  • Artist featured in a collection

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