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"Tu’er Ye (Lord Rabbit)" Photograph - Limited Edition of 8

→ Tina Sturzenegger, Switzerland

Photography, Color on Fabric

64 W x 84 H cm

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,240 USD

→ Shipping Included

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My work explores the space between reality and imagination, using photography to reveal the subtly absurd within everyday surroundings. Beginning with observed urban situations in Hong Kong, my images are never straightforward documents. In this piece, I introduce a constructed second layer, elevati...

Year Created:

2026

Subject:

Mediums:

Photography, Color on Fabric

Rarity:

Limited Edition of 8

Size:

64 W x 84 H x 1 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

Need more information?

Contact us.

Need more information?

Contact us.
Tina Sturzenegger

About the Artist

Tina Sturzenegger

Switzerland

My work explores the grotesque beauty of modern contradiction: the friction between our pursuit of "purity" and our surrender to "guilty pleasures." We cleanse crystals while chain-smoking; we chase eternal health while consuming high-calorie thrills. I capture this tension—the longing for control in a world of seductive excess.

I treat food not as sustenance, but as a cultural marker of identity, status, and hope. By using animals—rabbits, cats, or mice—as symbolic proxies, I project human aspirations onto non-human bodies, questioning how we construct our ideals of happiness and the "perfect" self.

My compositions borrow the saturated, glossy visual language of 1970s and 80s advertising. I deliberately exaggerate these "perfect" worlds to expose their manipulative nature. The retro aesthetic serves as a mirror, reflecting how contemporary self-staging is often a repeat of past illusions.

My practice is defined by total autonomy. For the past five years, I have acted as art director, stylist, photographer, and high-end retoucher for every piece. This absolute control over the creative process is a conceptual echo of the very perfectionism I critique: a staged reality, meticulously crafted to investigate the promises we choose to believe.

Recognition:

  • Featured in the Catalog

  • Artist featured in a collection

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