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Dripping Point II Painting

Astrid Esslinger

Austria

Painting, Acrylic on Canvas

Size: 80 W x 100 H x 2 D cm

Ships in a Crate

This artwork is not for sale.

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With the means of classical painting, Esslinger paints subjects, alter egos of the artist, without supplying merely realistic depictions. (Fina Esslinger: Astrid Esslinger. Paintings/Cut Outs, Ambra, Vienna, 2012)

Year Created:

2015

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

80 W x 100 H x 2 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Austria.

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Need more information?

Astrid Esslinger scrutinizes cultural and social-political themes in her works. The paintings circulate formally between abstraction and figuration, process and object, consolidation and reduction, as well as between the visible and the non-visible. Beginning with the formal gesture of the concrete brush- stroke, the artist creates portraits and scenes that, in different contexts, accommodate the narrative. The abstraction of painting, which experienced its most consistent realization with the suprematist “Black Square on a White Background” (1915) by Kazimir Malevich, is Esslinger’s point of departure in representing the figurative in her painting. Esslinger paints with acrylic on canvas, usually working on several pictures at the same time. Her Cut Outs are the direct product of her working visits in metropolitan regions like São Paulo, New York, Berlin, Los Angeles and Teheran. She collects cardboard boxes on site, picks out the ones that are suitable, and works with the texts, barcodes and logos found on them. Esslinger makes use of graphical strategies for an artistic analysis of global power relations. Her appropriation of logos and pictograms reflects geo-political identity constructions with artistic means, and ironically and critically relates the human figure to the codes of transnational financial and trade societies. publication: Fina Esslinger ASTRID ESSLINGER Paintings / Cut Outs. Werkauswahl – Selected Works 2003–2013 Ambra Wien 2014 Catalogue of works (selected) by Astrid Esslinger ␣ Essays by Fina Esslinger, Birgit Rinagl, and Tom Waibel, and interviews with the artist ␣ Richly illustrated The Austrian artist Astrid Esslinger presents a compilation of her work from 2003 to the present day with this volume. She has worked as a freelance artist since 1987. Until then she participated in artistic projects of the Linz artist collective Stadtwerkstatt. Her work can be divided into three parallel phases: her early pieces with textile materials and her later paintings with acrylic colors on canvas as well as pieces using an original technique developed for her work while on journeys, cut outs. 224 pp., 175 fig. Pb. € 39.95 [D] *US$ 56.00 ISBN 978-3-99043-680-6 eBook € 39.95 [D] *US$ 56.00 ISBN 978-3-99043-681-3 Print + eBook € 59.95 [D]?/?RRP *US$ 84.00 ISBN 978-3-99043-682-0 Date of publication June 2014 Languages German, English

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