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Snake :: by _ecardo5o - Limited Edition of 3 Print

Cartel Construções

Brazil

Open Edition Prints Available:
Select a Material

Canvas

Canvas

Fine Art Paper

Select a Size

12 x 16 in ($95)

12 x 16 in ($95)

24 x 32 in ($190)

30 x 40 in ($325)

Select a Canvas Wrap

Black Canvas

White Canvas

Black Canvas

Add a Frame

No Frame

White ($135)

Black ($135)

No Frame

$95USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Painting: Digital Print: Giclée Fine Art Print Canvas: Canson 380 (certificate) Copies: only 3 (each - Signature - Certificate)

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Cartel Construções is an artistic collective from Rio de Janeiro, Brazil. Started by artists _ecardo5o and Juliana Cabeza, Cartel's works explore the universe of pop culture and urban art through a unique look - always full of humor, chaotic, dark and explosive. At Cartel we believe that art should be part of people's lives. So we try to explore different supports. Often using consumer products as a vehicle. In this way, we believe we are in a constant movement to form new audiences. Purifying the massified look and bringing new aesthetic experiences that we are used to seeing only in galleries and museums for a wider and more dispersed audience. After all, we live in the age of technical reproducibility. In the virtual tide of the post-real. Our art surfs this wave, connecting hearts and minds, wherever they are. That is why we use the image as creation DNA. The archetypes of different cultures and traditions. All this to build a universe of stories and meanings that are beyond our linguistic and cultural bunkers.

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Erin Remington, Curatorial Director