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Drawing, Charcoal on Paper

50 W x 50 H cm

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,080 USD

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Seeing reversals in water is what captured my imagination with this work and how it relates to dyslexia and how we often get things back to front and how this can be problematic in education, but in art can bring about a sense of awe. Also the work was executed using my (left) non dominant hand. So...

Year Created:

2025

Subject:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

50 W x 50 H x 0.1 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Skye William Eade

About the Artist

Skye William Eade

United Kingdom

I have always been interested in art. I grew up in the countryside in a large family of eight siblings; two of whom were also artists.

I won two awards in art as a child at school. PE and Art were the only areas I was able to achieve in. Forty years later I was found to be dyslexic. This epiphany changed my thinking and understanding of myself in many ways.

I began to paint water in my twenties as I was fascinated by it. The jewel like aspect. It is a difficult thing to apprehend as it is kinetic. I believed that by studying this subject area I would learn techniques through diligence and the difficulty endured by trying to paint and draw something in motion. I then became fascinated in the aesthetical nature of reflections and refractions and how these abstract forms can be realised into stylised patterns.

Whilst living in City of Wells (during my younger years) I would often go out in the rain (sometimes perilously avoiding the lightening), camera in hand. This was before computer technology was as accessible and prevalent as it is today. So I would develop my analogue SLR camera footage and manually crop images to draw from and then paint.

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