Aldo Claudio Medorini

Medorini lives and works near Assisi (Perugia)
He trained as a reporter and came into contact with the most complex mechanical media (cameras, film camera…) which he studied with great enthusiasm, an enthusiasm be shared with painting which he was always attracted to.
In fact this technical knowledge led him to put on canvas the spatiality of the camera’s golden rectangle.
He is meticulous in his creations of the support for his philosophical-aesthetic ideas derived from the 1960s and start of the 20TH century, and for spatial planes and painted figures which be adapts and harmoniser together. In this way he establishes a marvellous balance between geometric forms in relief and female anthropomorphic figures, his constant leitmotif.
From the 1970s to the early 1980s his art tended to be a synthesis of painting and design. The positivity of the economic boom let to his conviction that progressive products had all the charisma of the future, and be thus identified himself with current aesthetics: it was though the shell contained a soul, an idea that would take on a form, no longer in heaven, but in space.
Paradoxically, however, be focussed his interest on Greek mythology, which had reverberation with the island of Lipari where...

EXPO IN CITTÀ, in EXPO 2015, piattaforma culturale che il Comune e la Camera di Commercio di Milano hanno voluto affiancare al Padiglione Italia destinato all’alimentazione, nella mostra “L’Arte e il Tempo” l’official event ideato da Giulia Sillato e diretto da Giulia Sillato e Giammarco Puntelli, dal 10 al 30 giugno 2015 presso il Palazzo dei Giureconsulti, in via dei Mercanti, angolo Piazza Duomo.