Untitled Painting

My work is fundamentally centered on exploring the human form. I find nothing more interesting than this. I seek to capture the character and essence of the subject; at other times, I construct a fictitious narrative—developed independently or in collaboration with the subject. In the end, I believe a person’s character always comes through, but whether that is the case or not that should not matter. I like to believe that the influence of architecture, photography, my cultural background, and personal influences are visibly present in my painting style. I intentionally avoid assigning decipherable titles or providing literal explanations. It is important to me that each viewer approaches the work without external guidance, forming their own interpretations based solely on the visual and emotional experience. Today, discourse, statements, and fabricated personas are often prioritised over the actual work itself. As a result, the constructed “persona” has, regrettably, come to overshadow the true substance of what anyone produces. I understand that this approach runs counter to much of the advice commonly given to gain visibility. But if we cannot remain true to our principles in creative endeavours, then what, ultimately, do we have left?