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K. B. Fetsko’s mixed-media works examines the juxtaposition of vintage photographs and abstraction to give viewers a unique glimpse of past generations through a fresh lens.

The Scranton Lace Company was the world leader in Nottingham lace and also produced tablecloths, napkins, valances, and shower curtains, among many other types of lace items. During the 1940s, the company manufactured parachutes and camouflage netting. The company prospered well into the 1950s, but risky investments placed the company in financial peril and eventually led to its closure in 2002.

This photo was taken mid-way through its demolition a few years back. 

The Scranton Laceworks serves as a reminder that most things, no matter how powerful and important, eventually come to an end.

Photographic copy on encaustic infused paper, layered with alcohol inks, protected with Kamar varnish and UV resistant coating, then mounted on a black stained cradleboard. This piece is unframed but is wired for hanging.
K. B. Fetsko’s mixed-media works examines the juxtaposition of vintage photographs and abstraction to give viewers a unique glimpse of past generations through a fresh lens.

The Scranton Lace Company was the world leader in Nottingham lace and also produced tablecloths, napkins, valances, and shower curtains, among many other types of lace items. During the 1940s, the company manufactured parachutes and camouflage netting. The company prospered well into the 1950s, but risky investments placed the company in financial peril and eventually led to its closure in 2002.

This photo was taken mid-way through its demolition a few years back. 

The Scranton Laceworks serves as a reminder that most things, no matter how powerful and important, eventually come to an end.

Photographic copy on encaustic infused paper, layered with alcohol inks, protected with Kamar varnish and UV resistant coating, then mounted on a black stained cradleboard. This piece is unframed but is wired for hanging.
K. B. Fetsko’s mixed-media works examines the juxtaposition of vintage photographs and abstraction to give viewers a unique glimpse of past generations through a fresh lens.

The Scranton Lace Company was the world leader in Nottingham lace and also produced tablecloths, napkins, valances, and shower curtains, among many other types of lace items. During the 1940s, the company manufactured parachutes and camouflage netting. The company prospered well into the 1950s, but risky investments placed the company in financial peril and eventually led to its closure in 2002.

This photo was taken mid-way through its demolition a few years back. 

The Scranton Laceworks serves as a reminder that most things, no matter how powerful and important, eventually come to an end.

Photographic copy on encaustic infused paper, layered with alcohol inks, protected with Kamar varnish and UV resistant coating, then mounted on a black stained cradleboard. This piece is unframed but is wired for hanging.
K. B. Fetsko’s mixed-media works examines the juxtaposition of vintage photographs and abstraction to give viewers a unique glimpse of past generations through a fresh lens.

The Scranton Lace Company was the world leader in Nottingham lace and also produced tablecloths, napkins, valances, and shower curtains, among many other types of lace items. During the 1940s, the company manufactured parachutes and camouflage netting. The company prospered well into the 1950s, but risky investments placed the company in financial peril and eventually led to its closure in 2002.

This photo was taken mid-way through its demolition a few years back. 

The Scranton Laceworks serves as a reminder that most things, no matter how powerful and important, eventually come to an end.

Photographic copy on encaustic infused paper, layered with alcohol inks, protected with Kamar varnish and UV resistant coating, then mounted on a black stained cradleboard. This piece is unframed but is wired for hanging.

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Scranton Laceworks ~ Encaustic Infused Paper Collage

Kym Balthazar Fetsko

United States

Collage, Paper on Wood

Size: 20.3 W x 25.4 H x 1.9 D cm

Ships in a Box

SOLD
Originally listed for $225

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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K. B. Fetsko’s mixed-media works examines the juxtaposition of vintage photographs and abstraction to give viewers a unique glimpse of past generations through a fresh lens. The Scranton Lace Company was the world leader in Nottingham lace and also produced tablecloths, napkins, valances, and showe...

Year Created:

2020

Subject:
Mediums:

Collage, Paper on Wood

Rarity:

One-of-a-kind Artwork

Size:

20.3 W x 25.4 H x 1.9 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

A few decades spent creating editorial illustrations left me burnt out and yearning to make art that once again excited me. As terrifying as this pandemic is, I'm grateful it gave me time to revisit the type of art that always inspired me - abstract painting. Truth be told – I’m a Type “A”, bona fide control freak, and my illustrations alluded to that point. I was structured and precise, deadline-driven, and accustomed to having concepts and design already laid out for me. Becoming an abstract painter forced me into an unfamiliar and uncomfortable space of unpredictability and playfulness. While many aspects of painting are under my control, what emerges once the oil and cold wax is laid down is often surprising. The freedom I’ve given myself to explore and create art that’s solely mine is both exhilarating and challenging. By building grungy, textural layers and then working back into them with tools and solvents, I’m allowed to learn and make mistakes and to grow as an artist for the first time in a long while. You’ll still find remnants of my illustrative past with the incorporation of sharp lines and collage, but it’s the push and pull of creating an oil and cold wax piece that motivates me to witness what emerges by the time the final layer of wax is applied. Instagram - Affiliations ~ AFA Gallery Scranton Member Art e'Fekts Gallery, Pittston PA Pocono Arts Council

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