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A Moment in the Present Painting

Jon Wall

United Kingdom

Painting, Tempera on Canvas

Size: 120 W x 140 H x 2 D cm

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The title A Moment in the present refers to the definition of the present moment. We can only conceive of the brief period of time or the moment that surrounds the infinitely small present. The present is made up of the recent past and the imminent future but I question what the present is fundament...

Year Created:

2021

Subject:
Mediums:

Painting, Tempera on Canvas

Rarity:

One-of-a-kind Artwork

Size:

120 W x 140 H x 2 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Jon Wall

Jon Wall

United Kingdom

I am a welsh artist, based in Cardiff. As a teenager I became interested in tattooing and I went on to complete my tattoo apprenticeship on the east coast of Australia. I was interested in traditional American tattoos due to the bold graphic aesthetic which reminded me of ancient Egyptian art. I went on to study fine art at Cardiff school of art and design. I continued to pursue a link between the tattoo and fine art, exploring many ways the skills and concepts could be transferred over into contemporary painting. This obsession led me down a unique path of discovery where I have intensely experimented with different paints, tools and surfaces. I now make my own paints from natural materials, sometimes foraging for tree resins or even extracting tar from birch bark. I use unconventional methods in my art such as weaving jute twine through the canvas or using a punch needle to create texture. I douse my paintings with petrol and set them on fire to allow them to come to fruition organically through a process of destruction and creation. This process is emblematic of death and rebirth, which is now a main focus in my practice.

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