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View In My Room

A view of Arran from the Cowal Peninsula Painting

Michael E Mullen

United Kingdom

Painting, Oil on Canvas

Size: 107 W x 40 H x 1.5 D cm

Ships in a Crate

SOLD
Originally listed for $2,290

85 Views

6

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The painting is a view of the beautiful island of Arran, as seen from the Cowal peninsula, on the Scottish mainland. I was interested in the lighting effects; the combination of the clear air and the early evening sunlight created a really memorable atmosphere, which I wanted to evoke in the painti...

Year Created:

2019

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

107 W x 40 H x 1.5 D cm

Ready to Hang:

Not Applicable

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Born Oct 1962, Kirkuk, Iraq.
Presently living and working in Glasgow, Scotland.

On the most basic level, my work reflects my enduring fascination with painting and drawing. These are activities I have always very much enjoyed, and my fascination with them has developed into an interest in the mechanics of drawing and painting. The formal aspects of the production of a piece are therefore important to me.

On another level my work reflects my fascination with the physical world I inhabit, and my emotional response to it. These two things are perhaps inextricably connected, since the subjects I choose invariably have some symbolic significance, which might either be very personal, or more universally understandable.

There is also a sense in which my work is expressionist, and fulfils a need, in a way that is difficult to adequately explain. On this level my work is more visceral, and my approach more sensual in a way that somehow is in accord with, or reflective of my inner emotional processes.

My work is most successful, I feel, when I can achieve some kind of balance between these elements, when they combine effectively in a painting.

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